Alan Burn’s Success: Movin Jingles Get Refreshed

Alan Burns and Associates, a team who aims to increase ratings of radio stations across the United States through providing custom strategies, music plans, marketing and promotional ideas, morning show development and staff training is proud to impart its growing number of successful stations. These stations range from formats AC, Gold AC and CHR. Alan Burns & Associates have helped these radio stations cope even with the toughest of market circumstances. The consulting company says it’s proud of its experience, accumulated knowledge and skills since their programming service since 1969 and consultation since 1985.

Among the CHR stations which skyrocketed its ratings through Alan Burns and Associates are WNVZ Norfolk, WNOU Indianapolies, WHTZ New York, KIIS FM Los Angeles, B96 Chicago, KMXV, Kansas City and WWWQ Atlanta.

Hot AC and Modern AC clients of Alan Burns And Associates are WRAL Raleigh, KSTZ Des Moines, WWMX Baltimore, WBMX Boston, KS95 Minneapolis and KFMB San Diego.

Successful Mainstream & Soft AC clients include WMAS Springfield, KESZ Phoenix, WWDE Norfolk, KMZQ Las Vegas, WLTA Milwaukee and KSRC Kansas City.

As part of Alan Burns & Associates programming strategy, jingle imaging is what the team is always pushing. The company stressed that the importance of jingles are a must have for any station.

“Movin” is Alan Burns’ latest radio format. Recently, Movin station’s imaging is updated with a new jingle package from JAMXMUSIC in Europe ( It’s the format’s second jingle package since its debut in 2006. The package is now in use in 6 Movin stations across the United States including Movin 92.5 KQMV FM Seattle, Movin 99.7 KFRC CBS Radio San Francisco, Movin 107.5 KMVK CBS Radio Dallas, Movin 100.7 KYMV Salt Lake City, Movin 101.1 WYMV St. Louis and Movin 107.5 KVMX Radio Portland.

Click here to listento Movin Jingles


100.3 Hit Radio : The Oldies Rhythmic Station

Sounds like a CHR station for you, but it’s not. It’s 100.3 Hit Radio from UMBN – the Network behind Wild FM stations in the Philippines.

Hit Radio plays the music from the past, from the 60?s up to the eighties, delivered in dynamic pop-style by modern-sounding deejays.

Because of its unique format, Hit Radio holds a special spot in a varied class of radio listeners from young adults to mature listeners.
Listen live to 100.3 Hit Radio now!

Click to access live audio stream. Requires iTunes, Real Player or Winamp. Or visit Hit Radio’s website here.

Wild FM Blazes On A New Trail

 From UMBN Press Release:

Trend-setting UM Broadcasting Network (UMBN) blazes another trail, this time in cyberspace with the re-launch of this website Get updated on your favorite stations’ events. Tell us what’s on your mind. Vote on our music charts. Listen real-time via live streaming 24/7. All these and more are now conveniently possible, from your laptops, smartphones or PC. Wherever you are in the world!

Our home page ( opens with the corporate identity of UMBN, parent-company of Wild FM network, with FM stations in :

• Davao City
• Cebu
• Bacolod
• Cagayan de Oro
• Butuan
• Iligan
• Gen. Santos City
• and Valencia, Bukidnon

The home page also features HitRadio (UMBN’s other FM station, formerly known as Oldies Radio). HitRadio plays the hits of the 60s, 70s and the 80s.

Links conveniently connect to individual stations’ own pages with features on stations’ recent and upcoming events, jocks/personalities’ profiles, photos and articles and music and charts. In the works are interactive forum that will allow you to voice your comments and opinions.

The possibilities are beyond imagination. We bring radio to the world of the internet. In this wired world, WILD FM and HitRadio are never too far away.

Listen to Wild FM’s original jingle package from Thompson Creative here. Learn more about Wild FM here at their website.

Race on for ‘fave’ FM station

From Inquirer:

By Pocholo Concepcion
Last updated 00:05am (Mla time) 05/07/2007
MANILA, Philippines – What does it take to be a “favorite radio station?”

Is this decided by the kind of music that a station adopts for its daily programming? Or by the format? Or maybe the deejays, how large a following they command among listeners? Or does it all boil down to the much-valued Kapisanan ng mga Broadkaster ng Pilipinas (KBP) survey, the results of which are trumpeted by whichever station takes top spot for a certain period?

These days, at least three FM stations in Metro Manila are goading listeners with intermittent promotional plugs, each one starting with, “What’s your favorite radio station?”, followed by the station’s tagline.

Love Radio 90.7: “Kailangan pa bang i-memorize ‘yan? Bisyo na ‘to!” (

Yes FM 101.1: “Derecho, Yes FM, Yesterday pa!”

WRR 101.9: “Alam mo na ‘yan, 101.9, For life!”

Love Radio claims it’s been the number one FM station for four consecutive years, based on KBP surveys that the deejays read on the air from time to time. The accuracy of said surveys may be questioned by the competition, of course. Apparently, the more binding proof is determined by what is heard in buses, jeepneys and taxicabs, in the malls and also in offices where radio music is played.

The operative word is “heard” – because a cab may be brandishing a Love Radio sticker, but the driver is listening to Yes FM.


In any case, Love Radio does seem to be top dog at the moment, at least among stations that count on the teeming masses to be their faithful audiences. Consider: Yes FM, WRR and, lately, LS 97.1, emulate Love Radio’s street-wise Tagalog and running gag-fest broadcasting style.

To challenge the winning tandem of Love deejays Chris Tsuper and Nicolehyala (“Tambalan ng Isang Balasubas at Isang Balahura”), Yes FM has posted Tito Potato and Mama Sugar in the intensely competitive 6 to 9 a.m. drive slot, while WRR has Martin D and Billie (“Tambalang Mabangis, Inyong Mga Kabagis”) on board from 8 to 10 a.m.

A little sluggish

Tito Potato and Mama Sugar have yet to match the snap and spontaneity of Chris and Nicole. And while WRR’s Martin D is engaging, with his solid, textured voice and comic timing, the jokes he throws around with Billie are at times a little sluggish.

For example, this one scripted like a radio drama:

“Naku siguradong uutangan na naman ako nito, di naman nagbabayad!”

“Hi, kumusta, lalo ka yatang gumaganda ngayon. Pautang naman ng P100…”

“Ayoko nang magpautang sa ‘yo; nakakasira ng pagkakaibigan ‘yan…”

“Ganu’n ba, e di galit na tayo simula ngayon, hindi na tayo magkaibigan. O, pwede nang umutang?”

Similarly, Yes FM should try to crank up the hilarity. This joke was heard a few nights ago:

“Sumakay ng elevator sina Brownie at Bruno. Tanong ni Brownie: “Magkano ang ibabayad natin?”

“Sagot ni Bruno: ‘Ano ka ba, Brownie, para kang inosente a, bakit magbabayad ka na, hindi pa nga tayo binibigyan ng tiket?”

Fast talk on LS

The former Campus Radio WLS 97.1 now goes by the call sign ’97. 1 Barangay LS, Forever! – with fast-talking deejays like Johnny Baby working at sounding cool with street lingo, but ending up just a tad cutesy:

“Ang oras po natin, alas nine o’clock ng morning!”

In a press release announcing its new name and strategy, the Barangay LS station manager said the move was meant to deliver what advertisers wanted. That supposedly meant sponsors nowadays would rather put money where deejays clown around and crack jokes throughout the day.

But the jokes, not a few of them sent by listeners, tend to fall flat:

“Anong kulay ng prutas?”

“Anong shampoo ang nakakahilo?”

“Anong net ang hindi ginagamit sa sports?”
“Spray net!”

A fourth station, right beside Love Radio on the dial, likewise subscribes to the Pinoy talk-and-humor approach. The bandwagon effect is beginning to insult listeners’ intelligence, as if everyone tuned in is presumed to be a dimwit:

“Hi Pangga, may energy ka ba? 91.5, Energy FM! It’s … joke time”:

“Ano ang pagkakaiba ng elepante at langaw?”

“Ang elepante, pag namatay, nilalangaw. Pero nakakita ka na ba ng langaw na namatay na ine-elepante?!”

And the music?

What happened to the music?

In the 1970s and ’80s, the jocks of DZRJ wooed and won listeners by playing some of the most engaging and enlightening music that was not necessarily on the charts. At one point, RJ even became a top-rating, album-oriented radio station because it was playing music not heard elsewhere.

The only station that succeeded with a joke-oriented format then was WKC 93.9, whose former station manager at the time was Mike Enriquez.

But, of course, times have changed, even if there’s more variety today with several stations playing jazz and acoustic rock, and the rest retaining Top 40 formats.

Jacinto says his current modified retro hits (“The Greatest and the Latest”) format on RJ 100 is very successful. And incidentally, NU 107, the only modern-rock station in the city, has maintained a large fan base without changing formats since it started operating in 1987. Proof is the rabid audience response to its annual rock awards.

In other words, listeners will always have their own different preferences and hardly anyone can claim there’s a dominant “favorite radio station” at present.

One good thing that’s come out of the competition is that all the stations are now playing more Original Pilipino Music (OPM). Just recently, Barangay LS featured seven local artists within the same hour, far exceeding the old KBP requirement of four OPM songs per hour. Cheers!

This story is lifted from and RadioJingles does not take full ownership  of this article.

Is KBP Really Reliable in Radio Surveys?

On a recent article on Inquirer, three radio stations are squabbling on who’s the number one and who’s the most favorite radio station.

These days, however, it’s hard to tell who’s who. Who’s on top, who’s dominating. I mean, it’s already the age of iPods, internet radio, and digital radio. These days terrestrial radio is only a alternative. You can’t say Yes FM is number one or WRR is the most preferred than Love Radio.

At least to some people only. But hey, are surveys really trusty? Especially those done by the RRC? I’d like to commend BTW, KBP’s lead and the Radio Ad Awards commitment to improve broadcast quality content and radio ad material.

For the record, though, KBP employs two types of survey the diary and the actual listenership. The diary approach allows the user to log or record his daily listening activities. The actual radio tune-in records the frequency and actual time people are listening to a specific station. Of the two approaches however, the second one is the most effective and dependable.

Come to think of it, when a listener records his daily listening activity, it may not necessarily reflect the actual station he’ s listening to. A person could write the station name “YES FM” because he saw a sticker of it inside the jeepney or on the windshield of the taxi cab but he may not actually be listening to that station.

Yes, listeners’ music choice differ and most of the time they change. That is why in determining which station is doing well at the present time, the second approach is much better.

Now, as with KBP, they’ve been doing this for a year now, but believe me, KBP’s ways are antiquated. Their ways in conducting surveys are way behind those used by Arbitron in the U.S. or AC Nielsen.

I think it’s high time now for business people to depend on more reliable radio survey firms. It’s a good investment to get the right and accurate information. You could be advertising on a station you thought it’s the number one!

How Kiss FM Sounds on Top Format & Rebecca

Rebecca FM and Top Format joined forces in attaining what was thought to be impossible to attain. Rebecca FM and Top Format managed to sonically infuse the popular three note Kiss FM into their jingle package. Imagine Jam’s Hitpower and Outstanding KIIS and Top Format’s ingenuity all rolled into one. Thanks MarcMannetje.

Click here to listen

read more | digg story

Free KillerHertz Production Elements

Visit to preview and download these freebies.

KH1234_samples_KHz1_Tr_32.mp3 511k []
KH1234_samples_KHz1_Tr_50.mp3 367k []
KH1234_samples_KHz2_Tr_08.mp3 410k []
KH1234_samples_KHz2_Tr_20.mp3 441k []
KH1234_samples_KHz3_Tr_22.mp3 466k []
KH1234_samples_KHz3_Tr_25.mp3 378k []
KH1234_samples_KHz4_Tr_09.mp3 447k []
KH1234_samples_KHz4_Tr_27.mp3 447k []
Here are a few the imaging bits and pieces of the KillerHertz Production and Imaging series. You may visit for full details. Or visit our website for a featured article soon on

More free downloads here.

Where You Tune In For The Latest