Category Archives: Radio Commercials

Beyond the Slop: Elevating Radio Copy in the Age of Generative Writing

Generative writing tools have become indispensable in modern content creation. They offer speed, scalability, and a baseline of coherence. But in radio—where every word must cut through noise and evoke emotion—generative writing can quickly devolve into slop: repetitive, cliché-ridden copy that erodes brand distinctiveness and listener engagement.

This article explores the risks of generative monotony and offers practical strategies to maintain originality, relevance, and impact in your radio advertising and branding scripts.

The Problem with Generative Slop

Generative slop occurs when AI-generated copy:

  • Relies on overused phrases (“no fluff, no flop,” “your number one hit station”).
  • Mimics competitor language due to shared training data.
  • Lacks emotional nuance, cultural specificity, or brand personality.
  • Feels templated, generic, or disconnected from the station’s identity.

In an industry built on immediacy and intimacy, sounding like everyone else is a creative failure.

Strategic Ways to Prevent Generative Slop

  1. Start with Human Insight

Begin your copywriting process with a clear understanding of your audience, brand tone, and campaign goals. Use generative tools only to enhance—not replace—your original thinking.

  1. Use Generative Tools as a Drafting Assistant

Instead of asking AI to write your entire script, prompt it to:

  • Rewrite your draft with improved rhythm or clarity.
  • Offer alternative phrasings for a single idea.
  • Suggest metaphors, analogies, or stylistic flourishes.

This keeps the core message intact while adding creative variation.

  1. Avoid Overused Templates and Buzzwords

Train your ear to spot and eliminate phrases that feel recycled or trend-chasing. Examples include:

  • “We’ve got you covered.”
  • “All the hits, all the time.”
  • “Streaming now, wherever you are.”

Replace these with language that reflects your station’s unique voice and values.

  1. Crowdsource Copy Ideas

Engage your listeners through social media polls, comment threads, or hashtag challenges. Ask:

  • “What’s a phrase that describes our station?”
  • “How would you promote our morning show?”

Use top responses as inspiration or direct input. This not only diversifies your creative pool but strengthens audience connection.

  1. Build a Copy Archive

Maintain a database of past scripts, taglines, and promos. Review them regularly to:

  • Avoid repetition.
  • Identify successful phrasing patterns.
  • Track the evolution of your brand voice.

This internal resource helps ensure consistency while encouraging innovation.

  1. Collaborate with Writers and Producers

Even if you use generative tools, involve human creatives in the final review. A skilled writer or producer can:

  • Spot tonal mismatches.
  • Refine pacing and structure.
  • Inject personality and emotional resonance.

Think of AI as a tool, not a substitute for creative judgment.

  1. Customize Your Prompts

If you do use generative writing, tailor your prompts to reflect your station’s identity. For example:

  • “Write a 15-second promo for a youth-oriented station in Cebu with a playful tone and local slang.”
  • “Create three variations of a morning show intro that emphasize energy and warmth.”

Specific prompts yield more relevant and usable output.

  1. Limit the Use of Trend-Driven Language

Avoid leaning too heavily on viral keywords, slang, or generational tropes unless they align authentically with your brand. Trying to sound “Gen Z” or “hyper-viral” can backfire if it feels forced or out of touch.

  1. Test Copy with Real Audiences

Before finalizing a script, test it with a small listener group or internal team. Ask:

  • Does this sound like us?
  • Is it memorable?
  • Would you tune in after hearing this?

Feedback helps refine tone and impact.

The Role of Delivery

No matter how well-written a script is, its effectiveness hinges on delivery. Invest in professional voice talent who understand pacing, tone, and emotional nuance. Match vocal style to format and direct sessions with clarity and intention. A great voice can elevate even simple copy into something unforgettable.

Conclusion

Generative writing tools are here to stay, but originality remains the cornerstone of effective radio branding. By combining strategic use of AI with human creativity, listener engagement, and professional delivery, stations can avoid the trap of generative slop and craft messaging that truly resonates.

MOR 91.9 CDO Top 20 Most Often Requested Weekly February 23, 2013

MOR 91.9 CDO Top 20 Most Often Requested Weekly February 23, 2013

Here is the latest countdown results on MOR 91.9 CDO Top 20 Most Often Requested Weekly February 23, 2013

Included in the countdown is David Guetta feat Sia – Titanium .

Also included in the countdown is One Direction – Kiss You .

Also, check out KZ Tandingan – Killing Me Softly .

Making its way in the list is Enrique Iglesias feat Daddy Yankee – Finally Found You .

And then there is One Direction – Little Things .

Check out the complete list below and check back this site for more of the latest chart results. Continue reading MOR 91.9 CDO Top 20 Most Often Requested Weekly February 23, 2013

Sales Tip from the RAB Training Academy: Seeing the Client and Keeping the Agency Happy

John Potter, VP/Director, RAB Radio Training Academy

It makes sense to call directly on the client even if the client has an advertising agency. We not only learn of clients’ objectives first-hand, but we build relationships.

So what happens when the agency tells you to stay away from the client and deal only with the agency? “If you call on the client I’ll never buy your station again!” Here are just four ideas:

1. Some sales managers tell salespeople their job is on the line if they do not call on all clients, whether there is an agency or not. The salesperson can now say: “I respect that you are asking me to not call on the client, but I can lose my job if I don’t.”

2. Softly tell the agency: “The client belongs to both of us and I must maintain contact with them as well as with you.”

3. Stop by clients and thank them for their business. If the agency is unhappy, you can assure them you were only thanking the client.

4. My favorite explanation to your agency: “I am not going to present specific information to the client. I present that to you and your agency. But if I talk to the client and learn the client’s objectives directly from him/her, I will be a better resource to you by bringing you only the most relevant recommendations.”

These don’t work all of the time, but we must try to get to clients to maximize revenue.

Relevant articles you should read:

A Good Script for An Optical Radio Ad Commercial

A Good Script for Optical Radio Ad Commercial

One of the most annoying ads I get to hear and produce even myself are ads for Vintage Vision International, a chain of optical clinics. Radio stations from Visayas and Mindanao are more familiar with this. More often than not, the client would provide the script. But can they think of another?

Continue reading A Good Script for An Optical Radio Ad Commercial

Campus Radio Returns Easter Sunday as Campus FM?

No details however about the re-launch. In fact, there is still no definite dial point set for the new Campus Radio. My hunch says that the people behind the return are dropping the “Campus Radio” logo and instead will be using “Campus FM”.

Here’s a probable reason. “Campus Radio” is still a GMA property. However, they can have the word “Campus”. My first guess was that the guys will be using “Campus XX.X” (with X as the new dial point). But I am pretty much sure that ‘Campus FM’ will push through.

The exchange of comments and speculations are still hot on pinoyexchange.com and on a Friendster-like website www.campusradio.co.nr. But as Jimmy Jam says in his blog www.bigbadjimmyjam.blogspot.com “facts shall reveal themselves further, as the proverbial plot thickens”.

Continue reading Campus Radio Returns Easter Sunday as Campus FM?