Category Archives: Radio Programming

K-Pop New Music Coming This February 2023 You Should Not Miss

The K-pop landscape is heating up, with both seasoned and young performers releasing new music in February.

Epik High kicks off the month with the release of their extended play (EP) “Strawberry,” which features GOT7 member Jackson Wang and Hwasa of the female group Mamamoo.

The EP arrives nearly a year after “Epik High Is Here (Part 2),” the second installment of the band’s tenth studio album.

BSS, a trio made up of Seventeen members, will release their album “Second Wind” on February 6. It is the sub-first group’s appearance since its debut in March 2018.

Korean rapper Lee Youngji and Norwegian vocalist Peder Elias appear on the three-track EP.

Meanwhile, Ha Sung-woon, a former Wanna One member who is presently completing his required military service, will release a digital song called “Snowy Stars” on February 8.

Key, a part of the renowned boy band SHINee, will launch “Killer,” a repackage of his sophomore album “Gasoline,” on February 13.

The repackage includes three new songs in addition to the 11 tunes from “Gasoline,” which was published in August 2022.

TripleS, a girl group, will make their debut with “Assemble” on the same day.

According to a Korea JoongAng Daily article, the act is supposed to feature 24 members, but only 10 will take part in the debut.

The 4-member Asian sub-group Acid Angel, who produced the track “Generation,” helped TripleS first come to public prominence last year.

The single albums “Teddy Bear” and “W.A.Y” from the female groups STAYC and, respectively, will be released on February 14.

The following day, female act Purple Kiss will release its fifth EP “Cabin Fever,” while TNX, the first idol group formed by “Gangnam Style” hitmaker Psy, will release its first EP “Love Never Dies.”

The Boyz, a prominent boy band, is set to release their eighth EP “Be Awake” on February 20.


The Effects of Pandemic in Radio Broadcasting

Recently, there has been a pandemic in the world, and with it, there have been radio broadcasts about how to protect yourself and what to do if you become infected. With so many people getting sick, radio broadcasting has become a major part of the pandemic. In this blog post, we will be looking at the effects of the pandemic in radio broadcasting. We will be discussing how the pandemic has changed the way radio broadcasts are made, how it has changed the way people listen to radio, and how it has changed the way people buy radio advertising. We will also be looking at the potential future effects of the pandemic on radio broadcasting.

1. How pandemic has affected radio broadcasting

The pandemic has had a significant impact on radio broadcasting. Because of the high demand for live content and the shortage of personnel, some stations have shifted their programming to the internet. Others have changed the way they operate and are working to find creative ways to keep the public informed.

The pandemic has also led to a shift in advertising. Traditional advertising, such as print and television, has been replaced by social media, which has a more interactive character. This allows people to share their thoughts and experiences with the product or service in a way that is more personal.

2. How to deal with pandemic in radio broadcasting

It is no secret that pandemic has had a significant impact on radio broadcasting industry. The number of listeners has fallen, ad revenue has been affected, and most importantly, the quality of radio broadcasts has been degraded.
In this post, we will explore the effects of pandemic on radio broadcasting and suggest some effective ways to deal with the situation.

3. How to prevent pandemic in radio broadcasting

The effects of pandemic in radio broadcasting are being felt by many. The fear of catching the disease, the inconvenience caused to many people, the lack of information and lack of trust in authorities are some of the effects of pandemic. Many people are wondering what they can do to prevent the spread of the disease.
Since the disease is still spreading and no one knows how it will develop in the future, it is important to take preventive measures now. Here are some tips to help you avoid pandemic in radio broadcasting.

4. Tips to manage pandemic in radio broadcasting

In the age of instantaneous communication, the pandemic has caused a lot of chaos and inconvenience. The most common way to transmit the virus is through close contact with infected individuals, such as through shaking hands, coughing, and sneezing. The virus can also spread through contact with contaminated surfaces, such as doorknobs, countertops, and desks.

There are a few things that you can do to manage the pandemic in your radio broadcasting station. First, make sure that all employees are vaccinated and take the necessary precautions to avoid contracting the virus. Second, keep your radio broadcasting station clean and avoid contact with infected individuals. Third, make sure that your broadcasting equipment is up to date and does not contain any vulnerabilities that could allow the virus to spread. Finally, keep a close watch on the news and keep yourself informed about the latest developments so that you can make the necessary decisions to manage the pandemic.

5. How pandemic has affected various aspects of radio broadcasting

The pandemic has had a direct effect on radio broadcasting. According to a study by the Radio Advertising Bureau, the percentage of Americans who listen to the radio daily has fallen from 71% in 2010 to 65% in 2014. The study further revealed that there has been a decrease in the number of Americans who listen to the radio for news and information as well.

The pandemic has also had a direct effect on ad spending. According to the Radio Advertising Bureau, spending on radio advertising has decreased by about 20%. This has in turn led to a decrease in revenues for radio broadcasters.

Radio broadcasters have also had to face difficulties in recruiting new staff. This is because many of the staff members have been affected by the pandemic and are unable to work. Additionally, many broadcasters have had to face the challenge of creating engaging content when a large percentage of their audience is away.

6. Lessons learned from pandemic in radio broadcasting

It has been just over a week since the pandemic started, and the effects have been felt in radio broadcasting. In this article, we will look at some of the lessons learned from the pandemic in radio broadcasting.

It has been widely reported that the pandemic has had a negative effect on both business and leisure activities. The World Health Organization has stated that the pandemic has killed more than 25,000 people and caused more than 1.5 million infections. This has had a significant impact on the radio broadcasting industry.

One of the first things to go was the advertising revenue. Advertisers have been reticent to invest in radio advertising due to the fear that their ads will not be seen by as many people. This has had a significant impact on the number of radio stations in operation.

Another area where the radio broadcasting industry has been hit hard is in the number of listeners. The pandemic has caused people to stay at home, meaning that the number of listeners has gone down. This has had a significant impact on the revenue of radio stations.

Looking forward, it is hoped that the industry will bounce back as people return to their usual habits. It is also hoped that the industry will be resilient to future pandemics.

7. How to recover from pandemic in radio broadcasting

It is with great sadness that we report the effects of the pandemic in radio broadcasting. Many stations have had to suspend their programming as a result of the pandemic.

There are a few things you can do to help recover from the pandemic in radio broadcasting.

First, make sure you are taking the necessary precautions to avoid the spread of the pandemic. This includes washing your hands frequently and avoiding close contact with other people who are infected.

You can also help by donating to charity. Many stations are running low on funds and any donations will be greatly appreciated.

Finally, keep your radio broadcasting station in your thoughts and prayers. We hope that you will all be back in business soon.

8. What to do next in radio broadcasting

Since pandemic is hitting the world, many people are wondering what to do next in radio broadcasting. It is not easy to know what to do because it depends on the station and the type of programming it airs. Nevertheless, here are some things that you can do in order to minimize the effects of pandemic on your station.

1. Reduce the number of live broadcasts. Live broadcasts are the most vulnerable to pandemic because of the close contact with people. You can reduce the number of live broadcasts by airing prerecorded shows or by simulcasting shows from other stations.
2. Keep the staff healthy. It is important that the staff is healthy and not infected with pandemic. You can do this by ensuring that they are wearing gloves, masks, and other protective gear when they are working. You can also keep the staff isolated when they are not working.
3. Increase the use of audio and video recordings. You can use audio and video recordings to replace live broadcasts. This will help to reduce the number of people who are affected by pandemic.
4. Cancel holiday events. You can cancel holiday events such as concerts, parades, and fireworks. This will help to reduce the number of people who are affected by pandemic.
5. Cancel nonessential meetings. You can cancel nonessential meetings such as board meetings, staff meetings, and training sessions. This will help to reduce the number of people who are affected by pandemic.
6. Keep the station open for emergency broadcasts. If there is an emergency, you can keep the station open even if there are no live broadcasts. This will help to provide information to the public.
7. Coordinate with other radio stations. You can cooperate with other radio stations to reduce the effects of pandemic on the community.
8. Review the emergency plans. You can review the emergency plans to make sure that they are effective in case of a pandemic.

9. Future of radio broadcasting in light of pandemic

Pandemic has had an adverse effect on radio broadcasting. The panic and fear of the people has resulted in a decline in the ratings of radio stations. People are now more interested in watching live events and news instead of listening to radio broadcasts. Television has taken over as the media of choice for most people.
However, radio broadcasters are not giving up and they are trying to adapt to the changing trends. They are planning to air more live events and news, in order to keep their listeners interested. They are also trying to develop new programming concepts that will appeal to the people.
They hope that the pandemic will eventually die down and that the ratings of radio stations will go back to the way they were before the pandemic.

10. Conclusion

The effects of pandemic in radio broadcasting are being felt by the industry. In this article, we will be discussing the different aspects of the pandemic and how it is affecting the industry. Starting with the production side, we will see how the number of workers has decreased and this has resulted in lower production of radio programs. On the audience side, we will see how the listenership has decreased. In terms of ad revenues, the situation looks bleak for the radio broadcasters. Overall, the pandemic has had a negative impact on the industry and it will take some time for it to recover.

We hope you enjoyed our blog post about the effects of pandemic in radio broadcasting. The media is one of the first places to report on the latest pandemic developments. We wanted to provide our readers with an overview of the pandemic and its effects on radio broadcasting. As you can see, the pandemic has had a significant impact on the industry. We encourage our readers to stay informed and to be aware of the latest developments. Thank you for reading!


Media Companies Have A Big Problem with YouTube Music and Netflix

Those who do not think about their future can not have one. This is the synthesis of Ofcom’s report on BBC, according to which the worrying defection of young audiences is the fault of the ubiquity of new platforms that are opposed to those on the air, the inability to update themselves with changes in tastes and habits and renunciation. the exploitation of native content to the advantage of a nefarious alliance in co-productions with the on demand streaming platforms that are subtracting users.

The Ofcom  raises the alarm: the BBC is facing an unprecedented existential crisis due to its inability to reach a younger audience in the face of competition from commercial rivals and online offers YouTube Music(radio side) and Netflix (tv side).

The regulatory body, the Guardian explains in today’s article , has found that young people are increasingly turning away from the company’s TV and radio services and that the BBC is “not doing enough, fast enough” to reverse the situation and ensure that has a future audience for its existence.

Opcom’s research found that young people spend about an hour and 20 minutes a day consuming BBC content; about half the average for all age groups.

More deeply, one in eight young English does not currently consume any BBC content in a week; a worrying figure, given the current financing model of the UK radio and television company, which is based on convincing the overwhelming majority of the public to pay £ 150.50 a year.

According to the Ofcom, if part of the defections can be motivated by the “ubiquity of new technologies” (the reference is to the use of streaming on demand content on the move through smartphones and tablets, as opposed to the constraint of the stable location of television and indoor receiver or car radio for broadcasting over the air), on the other it must be said that competitors The same carriers (AM, FM, UHF, VHF), ie commercial radio stations, have done comparatively better than the BBC to retain the younger audience.

“The decline in use among young people is a concern, not only because this target is less served, but also because young people are fundamental to the future of the BBC,” reads Incom’s annual report on BBC’s performance.

The regulator also pointed out that BBC Three only reaches 8% of people in this age group every week, despite being an online channel specifically designed to attract younger viewers.

In summary, BBC is a broadcaster for old people. ” According to young people, it is too tied to conventional formats”, says the report, which censors the inertia of society despite being “aware of the challenges it faced” .

Although the informational authority of the BBC is not in dispute and the company has been praised for having ” enhanced the diversity of the people it represents on the air”, Ofcom has stigmatized in its report the position of users according to which “elderly women were often represented in certain roles while middle class individuals were overrepresented in the programs “.

Earphones’ turn from Ofcom to the radio-TV player on the need to become ” more transparent in explaining why BBC made certain strategic decisions and failed to focus on the distinctive content of the United Kingdom” and strong fears about”The growing use of co-production agreements by the BBC with global streaming companies such as Netflix to subsidize the production of large-budget films, such as the upcoming adaptation of Good Omens by Terry Pratchett and Neil Gaiman”.

“Third party financing allows the BBC to broadcast – and to the UK audience to enjoy – content that the BBC could otherwise not have been able to produce,” reads the report. “But funding is typically focused on programs with global appeal, rather than on content that specifically reflects the lives and problems of the British public. It is also uncertain whether the BBC can continue to rely on such agreements, given the growing attention of online streaming players to the production of their content, ” concluded Ofcom referring clearly to the renewed policies of Netflix.

Listen to DJ Rico Romantico on MOR 101.9

Listen to DJ Rico Romantico on MOR 101.9
Listen to DJ Rico Romantico on MOR 101.9

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Dubbed as the Lover Boy ng Kakasaldaha, DJ Rico Romantico is one of the favorite radio DJs of MOR 101.9 Manila.

He is the other half of the KwelaTandem on the number 1 station not only in Metro Manila but also abroad as the station is heard over at and internationally via their TFC app.

Best known for their tandem with Maki Rena, Rico Romantico is bubbly and perfect for the morning slot Morning Pinas.

A big difference of him over other radio morning shows, is that he does not need to be loud in order to catch attention.

While other DJs employ boisterousness to appeal and sound funny on the air, Rico just simply is that barkada guy we know who knows how to handle barkada conversations.

And he is just pleasing to listen to, not very pretentious.

Listeners like because he really is generous with his partner Maki Rena, hindi sila nagsasapawan.

Tune in daily for MORning Pinas from 5 am to 9 am only on MOR 101.9 for life!

Contact DJ Rico Romantico on MOR 101.9 Telephone number, Requests, Greetings, Dedications, Letter sending

(+632) 415-2272
(032) 422 1954
(02) 416 6300
(02) 924 2684

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Download Free 6-Hour Music Mix Radio Show Featuring Artists: NSYNC, Beastie Boys

America’s Most Trusted Mix Show has arranged an astonishing present for your station this July fourth – a FREE 6-hour Hot Mix Total Recall music blend exhibiting popular icon bands and performers like Beastie Boys, 2 Pac, Naughty By Nature, N-Sync, Tone Loc, Aqua, Baha Men, Slick Rick and way more.

Visit the page underneath on the most proficient method to get this free 6 hour mix

About Hot Mix

The Original Hot Mix is a creation of the most sultry hits on the radio and music charts blended beat-to-beat.

It will touch base at your radio week after week mixed and done by experts, it is customized for your fm station’s unique sound along with your station’s commercial ads and radio identification.

Enable your radio DJs to tweak Hot Mix Mainstream, they can have the show run live from your studio, or even think of a week after week on location program.

Hot Mix Mainstream is the hot choice for Z-100/New York

Show Info:
  • 4 hour weekly show
  • The music is ON POINT…utilizing MediaBase Monitoring and the hottest club tracks.
  • For over 25 years, Hot Mix has delivered consistent mixes, consistent quality, and consistent results.
  • Hot Mix Mainstream features hits from artists such as: Lady Gaga, Rihanna, Adele, Usher, Katy Perry, Justin Bieber, Beyoncé & More!
  • Hot Mix Crossover features hits from artists such as: Rihanna, Drake, Wiz Khalifa, Pitbull, Ludacris, Jay-Z, Nicki Minaj, Usher & More!
Delivery & Other Details:
  • No licensing fees (in the USA)
  • Hot Mix is available via FTP & CD.
  • You have the flexibility to air the show whenever you want…no restrictions to specific time slots.


HD Digital Radio Going Strong in Philippine Radio, Asia and Europe Go All In on DAB

HD High Defintion Digital Radio in the Philippines

Philippines is more on HD Radio than DAB and it is going stronger in the country.

In Manila particularly, 16 radio channels  are now broadcasting in the digital radio format.

List of Stations in Manila broadcasting in HD Digital Radio are:

90.7 Love Radio
91.5 Win Radio
93.9 iFM has 3 channels
HD1, HD2 and HD3
95.5 Pinas FM
96.3 Easy Rock also has 3 channels
HD1, HD2 and HD3
98.7 Masters Touch
100.3 RJ 100
101.1  Yes FM
MRO has 3 channels
and 105.1 Crossover

In Cebu, only 1 radio station broadcasts in HD and that is 101.1 DYIO with 3 radio HD channels.

In Davao, there is 92.3 Wild FM.

Although all stations by the government are planning to broadcast in high definition including FM1 and FM2 stations.

DAB Radio in Asia and Switzerland

In Brunei especially, following quite a while of preliminary currently has 5 DAB stations under their administration drove Radio Television Brunei.

In China, after the achievement of DAB as the communicate innovation utilized as a part of the scope of the Olympics ten years prior now have major computerized stations beginning from Shanghai and Beijing.

The main event obviously is Indonesia, just like the greatest nation as far as populace in South East Asia with more than 240 million, the nation intends to totally change to DAB in addition to this year on July 15.

Malaysia is additionally presently directing across the board investigation of the capability of DAB.

The special cases anyway are Hong Kong, Singapore and the Philippines. In HK, 3 business stations and 1 government station used to be on DAB however ceased the tasks in 2017. The reasons were poor listenership and income for the business administrators.

Singapore has favored web based gushing over DAB and the Philippines adjusted HD Radio rather than DAB. Among stations broadcasting in HD are iFM by RMN, Barangay Stations by GMA and MOR.

Real Switch in Swiss Radio by 2021

In the interim, in Switzerland, Radio rendition 4.0 will produce results in 2021 prompting the shutdown of conventional FM towers, 3 years sooner than the first arrangement of 2024.

This was declared by Ufcom (Ufficio Federale Delle Comunicazioni) in a report of the Digital Migration Working Group (Gruppo di lavoro Migrazione Digitale), dated 5 June 2018.

At introduce, the change from simple to computerized dispersion will happen in two stages: one is switch-over, the other is turn off.

The first is that before the finish of 2019 all FM projects should be dispersed in advanced mode on a DAB + stage.

The second is “the exit from the FM in 2021 to be finished in 2022”.

The procedure is designated to the Digital Migration Working Group (GL DigiMig), framed in 2013 with the point of building up a typical system went for the radio division for the planned progress of simple to advanced radio projects and uniting delegates of the SSR, the Swiss Association of Private Radios (ASRP), the Union Romande des Radios Régionales (RRR), the Union of non-business radio stations (UNIKOM) and the Federal Office of Communications (UFCOM).

Toward the finish of 2017, 39% of the radio projects in Switzerland will in any case communicate by means of FM.

Presently computerized radio gathering is accessible by means of DAB +, link systems and IP TV  (the procedure of radio and TV hybridization is clearly under route there) and, obviously, IP. 85% of new autos sold in Switzerland are furnished with DAB +. Most nations in Europe are now getting ready for computerized.

Papa Dudut of Barangay LS 97.1 Manila Started Doing This On His YouTube Channel Because of This

People nowadays listen to radio, not just on radio apps, forget cellphonse. Well yes, in the provinces they are a staple.

But online, especially among OFWs, it’s not all about websites and apps.

They listen to radio on YouTube!

The most popular content on radio is no longer music, when you are talking about the internet domain. It’s those non-music based content, the talk based shows like love letters, on air callins and what not.

And if your radio station does not provide that kind of content to your online audience, people will find a way.

To be fair, Barangay LS 97.1 has on its website an RSS or podcast of its latest episodes of their talk based shows.

They also have mobile apps for iOS and Android. But who wants to have an app for every station? When you can listen to them in one place?

YouTube is that place. People upload recorded radio shows especially the Barangay Love Stories and Wanted Sweetheart.

They become so popular, that these YouTube contents have more views than those from official radio station channels.

So Papa Dudut, anchor of Barangay Love Stories decided to upload episodes of his shows on his YouTube channel.

It’s tricky though, there is a reason why fm stations don’t even bother live streaming or uploading their on air content to YouTube.

It is because of the copyright ID protection of the platform.

Shows like Barangay Love Stories while it is mostly talk based, also plays music in the background, that mushy sentimental background music will get copyright IDed by YouTube and will be reported to authorities and as a result the video will be taken down.

Which is why radio DJs, take it upon themselves to post it and but clear them out first of any potential copyright problems.

It is time consuming, radio stations don’t have much manpower to do it.

What they are up against to though is the democratization of uploading content to YouTube. There are already established YouTube channels out there that post Barangay LS content with much more subscribers, so there is a lot of catching up to do.


Barangay LS starts to implement copyright protection to its radio shows, so they can take down those who upload their shows other than them.

iFM Radio Personalities Are The Most Talented in Philippine FM Radio, Here’s Why

iFM of RMN shows how FM radio DJ should be in this digital age.

Not just the looks, not just the jock cracking, and the infectious laughs.

It is all about well-roundedness talent and iFM just has it.

RMN is known in the country as the best provide of radio dramas and it is no surprise then their FM people show just as much as talent as their AM anchors.

They don’t just adlib on the air, they act and they can act.

And this is what separates them from the DJs of Love and MOR.

Sure, they also have live radio drama, but nothing beats the spontaneity and creativity of the iFM DJs.

So if you are a budding DJ, don’t just invest on clothes and make up or a book full of pooled jokes, be ready to act and act effectively.

Watch iFM 93.9 Manila Live Streaming, DWKC iFM Manila Embraces YouTube for Live Streaming

Props to iFM 93.9 for putting a live stream of their FM broadcast in Manila using YouTube.

You can now watch the live stream on the link below

The live stream however may change or may be deleted, so you can check out their official YouTube channel

Their radio personalities however continue to upload videos and post live videos of their boardwork on Facebook.

But like many stations, they still primarily live stream using IBM Cloud, which is now the owner of UStream.

Other stations are still using shoutcast or icecast servers for audio only listening.

There is an upside to using YouTube though.

1.) The can monetize their stream
2.) The server is reliable
3.) Its reach is wide

The downsides though to YouTube streaming:
1.) Copyright takedowns, even if you are a licensed FM radio, the bots will automatically remove any uploaded videos

Such is what happened to a radio station in Cebu when they used YouTube to live stream, but their video was taken down by Warner Music.

This is the very reason why most Facebook Live sessions by DJs are only during adlibs or off the air work. They usually mute or turn the down the volume of their actual music they play live on the air, to prevent the bots from tagging their videos.

This is the very reason why competitor DWRR still uses BrightCove for their live stream. It is a very exclusive platform , so unless you subscribe to TFC abroad, you won’t be able to listen.

Send Letter, Greetings and Requests to DJ Chacha MOR 101.9 Manila

DJ Chacha handles MOR 101.9 DJ – Heartbeats every Mon-Fri 9pm-12mn

She is also DZMM Showbiz Correspondent especially for the entertainment news.

On TV, she is also seen on Kapamilya Love Chat Host – every Fridays 6pm on

In addition to being an award winning multimedia host, she is also author of the booik Napakasakit Ate Chacha.

Outside of radio or TV, DJ Chacha is a sought after events host.

With a huge presence also on digital and social media, she is an effect Brand Ambassador.

Send Letter, Greetings and Requests to DJ Chacha MOR 101.9 Manila

Email address:

Message her on Facebook using this link:

FB Fanpage: @chacha1019 Twitter Acc: @mor1019chacha Snapchat: @mor1019chacha