Redundant Podcast App from Google Search Results Ditched in Favor of YouTube Integration?

Google is not removing Google Podcasts in favor of YouTube Podcasts. According to a company spokesperson, “Google Podcasts continues to serve its many audio users around the world”[1]. However, YouTube is reportedly launching a new podcasting service called “YouTube Podcasts”[2], which could potentially replace Google Podcasts in the future. Google has also recently removed the feature that allowed users to access playable podcasts directly from the Google Search results[3], which could be an indication that they are shifting focus to YouTube Podcasts.



YouTube, a Google subsidiary, is experimenting with podcasting and may officially embrace it in the near future. This test allows existing content to be marked as podcasts without manual conversion, giving uploaders access to performance, audience, and revenue data. The podcast content is also displayed on the dedicated Podcasts homepage on YouTube, which is currently only available in the US. Outside of the US, the podcast uploads are displayed as regular YouTube videos. The webpage also displays Google’s third iteration of the podcast logo, colored in blue instead of red.

This move follows the removal of Google Podcasts from Search results, indicating that YouTube may be the ultimate successor for Google Podcasts. As Chrome Unboxed points out, “YouTube is in a unique position to take over the podcasting space”. This could be a great opportunity for YouTube to expand its content library and become a major player in the podcasting industry.


The State of Podcasting, Revenue and Popularity in South East Asia

The podcast industry has seen tremendous growth in the past few years, and South East Asia is no exception. According to a report by Deloitte Insights, the podcast industry in the Asia Pacific region has grown far faster than the overall media and entertainment market. In particular, the Philippines is seen as the launching pad for podcast expansion throughout Southeast Asia.

The most popular podcasters in South East Asia are those who focus on storytelling and news. Ron Baetiong, the founder of Podcast Network Asia, is one of the most popular podcasters in the region. He is known for his storytelling and his focus on Filipino stories. Other popular podcasters in the region include those who focus on news, such as the South Asian Studies at Stanford (SASS) Podcast, which features conversations between the Center for South Asia at Stanford and guests a connection to Stanford.

The amount of money that podcasters can earn in South East Asia varies depending on the size of their audience and the type of content they produce. Generally, podcasters in the region can earn anywhere from a few hundred to a few month.

The most popular topics for podcasters based in South East Asia include news, politics, culture, business, and entertainment. For example, the South Asian Studies at Stanford (SASS) Podcast covers a wide range of topics, from poetry to politics, from manuscript collecting to music, from business to Bollywood. Similarly, Ron Baetiong’s Podcast Network Asia focuses on Filipino stories and culture. [1]

Overall, the podcast industry in South East Asia is growing rapidly, and there are many popular podcasters in the region who are making a living off of their content.



Yes, podcasting can be a good source of income for those who work in the media industry. According to the Pew Research Center, the median wage in 2020 for news analysts, reporters and journalists in the radio broadcasting industry was about $49,000, while editors in the radio broadcasting industry had a median annual wage of about $79,000.[1] Additionally, the Interactive Advertising Bureau reported that self-reported podcast advertising revenue in the U.S. reached $257.4 million in 2017, achieving a Year-on-Year growth of 117%.[2]

The podcasting industry is still growing and is not yet saturated. According to Insider Intelligence, the number of monthly US podcast listeners will increase by 6.1% year-over-year (YoY) to 125 million in 2022.[3] This suggests that there is still room for new players to enter the podcasting industry.



If you are an aspiring podcaster who lives in South East Asia, there are several strategies and topics to discuss in order to be successful in podcasting. Firstly, it is important to understand the podcast landscape in East and South East Asia. According to an article by Podnews, there is an independent podcast creative company based in Jakarta that produces podcasts in both English and Indonesian. This is a great resource to understand the podcast landscape in the region and to get ideas for topics and strategies to use in your podcast.

Secondly, it is important to have a clear strategy for your podcast. Forbes suggests that podcasters should measure success by following two key metrics: velocity of downloads and listener engagement. Additionally, they suggest that podcasters should focus on creating content that is unique, relevant, and engaging.

Finally, it is important to choose topics that are relevant to the region. The XA podcast is a great resource for understanding the early stage investing ecosystem in the region. Additionally, the GHOST MAPS podcast is a great resource for understanding true Southeast Asian horror stories.

Overall, understanding the podcast landscape in East and South East Asia, having a clear strategy for your podcast, and choosing topics that are relevant to the region are all important strategies for success in podcasting in South East Asia. [1]



What is the most listened to FM Radio Station in Metro Manila in the year 2023?

According to the Philippine Radio and TV stations Wiki, the most listened to radio station in Metro Manila in 2023 is Wish 107.5 FM[1]. This is supported by MyTuner Radio, which lists Wish 107.5 FM as the most popular radio station in the Philippines[2].

Wish FM 107.5 is owned by the Progressive Broadcasting Corporation. It is not clear how much revenue Wish FM 107.5 earns as this information is not publicly available.

According to the Top Charts website[1], the most requested artist, singer, or performer on radio stations in the Philippines in 2023 is Paloma Faith with her song “Only Love Can Hurt Like This”[2]. This is based on the Radio Top 100 Songs chart, which ranks the most played songs of the week in 46 countries and includes airplay from 15000 radio stations.



According to the Top Charts website[1], the most requested artist, singer, or performer on radio stations in the Philippines in 2023 is Paloma Faith with her song “Only Love Can Hurt Like This”[2]. This is based on the Radio Top 100 Songs chart, which ranks the most played songs of the week in 46 countries and includes airplay from 15000 radio stations.



Unfortunately, there is no answer this question. However, according to the website of Wish FM 107.5, the station’s schedule is from 5 a.m. to 9 a.m. and 4 p.m. to 12 a.m. [1]. This suggests that the average listener may tune in for up to 7 hours per day.



The most popular FM Radio App from the Philippines is Philippines Radio – Live FM, which is available on the App Store. [1] It has over 250 radio stations from all over the Philippines, and it has a modern, beautiful, and easy to use interface. [2] It is also the top rated radio app on the App Store, with over 4+ stars. [1]



New Cherry Americas Microphone Products for Podcasters, Streamers offer Function, Fair Pricing

Cherry Americas, a division of the global leader in computer input devices, today announced the debut of the CHERRY UM Microphone Series, an innovative new portfolio of computer microphones and companion items for streaming and office usage. The introduction of the new product line signifies a significant extension of CHERRY’s product range into the field of sound and microphones.

CHERRY, the global leader in mechanical key switches and a pioneer and pacesetter in computer, office, and gaming input devices and accessories, is expanding its audio offering with three sleek new microphones for work and leisure. The CHERRY UM Microphone Series allows everyone, from novices to pro streamers, to expand their setups with distinctive designs and the highest audio recording quality available. The new product range is ideal for today’s computing environments, where communication and collaboration take place remotely and podcasts and live streaming are commonplace.

“We’re launching the CHERRY UM Microphone Series on Valentine’s Day because we’re confident people will love the exceptional quality, ease of use, and sleek design of these new audio products,” said Richard Simone, CEO of Cherry Americas. “CHERRY is recognized globally for high-quality products and innovation in computer input devices and components. We’re excited to bring those same enduring qualities to computer audio and microphones.”

Richard Simone, CEO of Cherry Americas

Three Fantastic New Microphones
The UM 3.0, UM 6.0 ADVANCED, and UM 9.0 PRO RGB USB microphones are ideal for a variety of applications, ranging from the office to the professional streaming studio. The microphones, which are made of high-quality components, provide ideal sound for virtual meetings.

These USB mics in the UM series are made to last and have appealing features that make them extremely easy to use. The microphones come with a solid metal stand, touch-to-mute feature, volume control right on the microphone, an integrated headphone port, and Plug & Play compatible with PC, Mac, PS4 and PS5.

The Office Microphone, CHERRY UM 3.0
The UM 3.0 has a scanning rate of 96 KHz and a bit depth of 24 bits and is intended for single-person use due to its directional cardioid capsule. It is ideal for home usage and produces great sound during video conferencing. The CHERRY UM 3.0 can also record podcasts, voiceovers, and musical instruments.

CHERRY UM 6.0 ADVANCED – A Flexible Option
The UM 6.0 ADVANCED has a choice of ‘cardioid’ or ‘omnidirectional’ polar patterns and can record inputs from two directions at 96 KHz and 24 bits. A shock mount function prevents sound distortion caused by vibrations by entirely decoupling the mic from the metal stand through robust rubber bands.

The Ultimate in Sound and Color Effects with the CHERRY UM 9.0 PRO RGB
With a scanning rate of 192 KHz and 24 bits, the UM 9.0 PRO RGB is the microphone for anybody who wants to get the most out of their recordings. With the stroke of a button, users may choose between the “cardioid,” “omnidirectional,” “bidirectional,” and “stereo” polar patterns, capturing audio sources exactly out of any desired direction.

More information is available online at:

TBS FM ratings dip after Kim Eo-joon left as presenter

TBS FM showed a noticeable decline in recent survey following the departuer of host Kim E-joon .

As a result of Hankook Research’s 2023 round 1 listening survey, SBS Power FM ranked first with 9.2% . In the morning current affairs radio program, it ranked first with 5.6%, and CBS Standard FM ranked second with 3.8%. In the afternoon current affairs radio programs, KBS 1 Radio took first place with 3.8%, and MBC Standard FM took second place with 3.6%.

Previously, in the 2022 round 4 survey, TBS FM ranked first in all programs with a 13.1% listening rate. Since the first round in 2018, it has been ranked first overall, including current affairs, for 20 consecutive quarters. In the same survey, TBS FM’s ranked first in the afternoon current affairs program with a 4.9% listening rate. However, in this survey, TBS FM current affairs programs disappeared from the main rankings.

There was also a noticeable change in the listening rate by channel. TBS FM’s listening rate, which recorded 16.2% in the 4th round in 2022, fell to 6.2% in this survey. In the midst of this, TBS’ new CEO Tae-Ik Jeong said, “We are launching a reorganization with competent in-house experts, redefining our channel’s identity, and thinking about finding suitable content.”

In terms of listening rate, SBS Power FM ranked first with 24%, followed by MBC Standard FM with 15.7% and CBS Music FM with 15%.

Meanwhile, Mr. Kim Eo-jun started a YouTube channel last January with a schedule and format almost similar to his previous stint . As of February 8, the number of subscribers is 1.23 million, and the number of simultaneous views to the morning live broadcast is about 180,000 to 190,000.

The sampling error of this survey conducted by Hankook Research on 3,000 listeners between the ages of 13 and 69 in Seoul and the metropolitan area from January 4 to 17 is ± 1.8 percentage points in the 95% confidence interval.

K-Pop New Music Coming This February 2023 You Should Not Miss

The K-pop landscape is heating up, with both seasoned and young performers releasing new music in February.

Epik High kicks off the month with the release of their extended play (EP) “Strawberry,” which features GOT7 member Jackson Wang and Hwasa of the female group Mamamoo.

The EP arrives nearly a year after “Epik High Is Here (Part 2),” the second installment of the band’s tenth studio album.

BSS, a trio made up of Seventeen members, will release their album “Second Wind” on February 6. It is the sub-first group’s appearance since its debut in March 2018.

Korean rapper Lee Youngji and Norwegian vocalist Peder Elias appear on the three-track EP.

Meanwhile, Ha Sung-woon, a former Wanna One member who is presently completing his required military service, will release a digital song called “Snowy Stars” on February 8.

Key, a part of the renowned boy band SHINee, will launch “Killer,” a repackage of his sophomore album “Gasoline,” on February 13.

The repackage includes three new songs in addition to the 11 tunes from “Gasoline,” which was published in August 2022.

TripleS, a girl group, will make their debut with “Assemble” on the same day.

According to a Korea JoongAng Daily article, the act is supposed to feature 24 members, but only 10 will take part in the debut.

The 4-member Asian sub-group Acid Angel, who produced the track “Generation,” helped TripleS first come to public prominence last year.

The single albums “Teddy Bear” and “W.A.Y” from the female groups STAYC and, respectively, will be released on February 14.

The following day, female act Purple Kiss will release its fifth EP “Cabin Fever,” while TNX, the first idol group formed by “Gangnam Style” hitmaker Psy, will release its first EP “Love Never Dies.”

The Boyz, a prominent boy band, is set to release their eighth EP “Be Awake” on February 20.

Rewind is App Made for Zoomers but Needed by Z Gens

Rewind is a brand-new software that aims to make it simpler for music lovers to discover the most popular songs from decades past. Rewind lets users “time travel” across the pop charts from 1960 throughout 2010 to learn about how past songs have affected today’s hits, in an effort to meet consumer desire for nostalgic musical experiences.

Developer Ziad Al Halabi, whose day job is developing mobile apps for music streaming provider TIDAL, created the app. The creator claims he likes creating music applications; he previously released Backtrackit, an audio player for artists, which had almost 2 million installations.

The purpose of Rewind, which started as a weekend project, is to provide a conduit for discovering older songs that formerly dominated the top charts.

Those queries could be simpler to address for more experienced music lovers. However, Gen Z introduces a fresh set of customers who discover music via services like TikTok, where a song’s release date isn’t always relevant. Younger people have already benefited from TikTok’s success in introducing them to well-known songs from earlier generations, such as Fleetwood Mac’s “Dreams” and Kate Bush’s “Running Up That Hill,” both of which gained popularity on the video app and reached the top charts years after their initial release. They are not alone either.

This taste in vintage music fits in with other Gen Z “nostalgia” tendencies like their acceptance of flip phones, Y2K style, wired headphones, throwaway cameras, 90s music (which is really a preference across generations), and of course, vinyl.

But using the software doesn’t only mean looking over old charts. It advances the situation and even adds some contemporary twists.

Users may first browse the top albums and music videos from a certain year, as well as the expanding top Billboard charts, to learn more about the music from that year. It also explores pertinent patterns from a specific time frame. For instance, searching 1991 yields a number of “grunge-defining tracks,” including, among others, Nirvana’s “Nevermind” and Pearl Jam’s “Ten.” Other sections feature songs that had significant radio play that year, eagerly awaited albums, freshly formed bands, etc.

Rewind also has a “news” segment that highlights significant occasions and occasions from the year in question. It also has advertisements that give it a vintage vibe. Ads for the first distortion guitar pedal, for instance, may be seen by listeners in 1965, while advertisements for new synthesizer devices that contributed create the sounds of the 1980s may be seen by users browsing the 1980s.

The app, which was released last month, saw a few thousand downloads over its first weekend and is now gradually expanding. It may be downloaded for free on iOS and Android and doesn’t presently make money.

Download it here

iRadio Golden Songs Chart Topper DJ HEAD Releases New Single Memory Blossoms

Photo by Pixabay on

Electronic music producer DJ HEAD has just started work. The new song “Memory Blossoms” was just released a few years ago. During the Chinese New Year, it was on the top of the “i Radio Golden Songs Chart” in China and Guangzhou, surpassing Wei Li’an, Yu Dingshi, Gao Erxuan and other singers. Let DJ HEAD shout: “This is really the best New Year gift, and it is also the best affirmation for independent music producers!”

DJ HEAD has transformed from a dance music producer to a singer-songwriter, and his achievements are not bad. After the release of his 2nd album “Head and Way”, he has created an amazing amount of creations. He released his latest single “” Memory Blossoms”, and invited friend No Name to sing a duet.

When the news of winning the championship came, DJ HEAD was happiest that his hard work could be shared with more fans. The song MV ( ) has been broadcast on the YouTube channel.

DJ HEAD, who has been on the Billboard dance chart for 3 consecutive years, used to run around major cities around the world because of his DJ work performances, but it was the first time since the epidemic was lifted for the first time in 3 years that he let himself go, especially running with a pilgrimage Went to Jordan to seek new creative inspiration, and returned to Taiwan with a burst of creativity.

Because he is a fan of the movie “Star Wars”, when DJ HEAD went to the desert of Jordan, saw the movie scene, and saw the endless red rock mountains like the surface of Mars, he was very excited.

In addition to the stunning scenery to DJ HEAD, he also lived in the high-end tent where the film crew lived during the filming period, allowing him to be in the relevant places of “Star Wars” day and night. He joked happily: “As long as you can imagine, the force is with you together!”

DJ HEAD revealed that the place is really like an alien planet, a fully immersive experience! In addition to changing into formal Arab male attire, he also rode a camel for the first time, feeling the charm of “The Arabian Nights”.

DJ HEAD shared what he saw and heard during his travels in Jordan. He went to Wadi Rum Reserve (Wadi Rum), a world natural and cultural heritage. .

He went deep into the desert of Star Wars and stayed in the high-end tents left by the film crew. There are air conditioners, refrigerators and other household appliances, as well as beautiful large bathrooms. He was amazed, “These five-star tents are really deserts. An oasis in the

The top of these tents is specially designed to be transparent, so that residents can watch the vast starry sky and fall asleep, so it is hard to find a room! In terms of food, DJ HEAD also thinks it is very unique, with authentic desert dishes, the baked food stuffed in the earthen kiln in the sand, served with Middle Eastern flatbread, hummus and cheese, but because he is a vegetarian, he directly omitted meat.

He also went to the Dead Sea to experience floating. What’s interesting is that he held a book and pretended to take pictures, which made foreign tourists follow suit. Many people came to borrow books from him to take beautiful photos online, making him a “central library”.

DJ HEAD also personally visited the legendary place where “Moses opened the Red Sea” to experience the eternity of the ancient times. During this charging trip, he exclaimed: “It’s so shocking!” Especially in the desert of thousands of years, boundless inspiration flew in, making DJ HEAD return to Immediately after arriving in Taiwan, his creative power erupted, and he wrote the unconventional “Memory Blossoms”, which became the latest homecoming song for Chinese.

The Effects of Pandemic in Radio Broadcasting

Recently, there has been a pandemic in the world, and with it, there have been radio broadcasts about how to protect yourself and what to do if you become infected. With so many people getting sick, radio broadcasting has become a major part of the pandemic. In this blog post, we will be looking at the effects of the pandemic in radio broadcasting. We will be discussing how the pandemic has changed the way radio broadcasts are made, how it has changed the way people listen to radio, and how it has changed the way people buy radio advertising. We will also be looking at the potential future effects of the pandemic on radio broadcasting.

1. How pandemic has affected radio broadcasting

The pandemic has had a significant impact on radio broadcasting. Because of the high demand for live content and the shortage of personnel, some stations have shifted their programming to the internet. Others have changed the way they operate and are working to find creative ways to keep the public informed.

The pandemic has also led to a shift in advertising. Traditional advertising, such as print and television, has been replaced by social media, which has a more interactive character. This allows people to share their thoughts and experiences with the product or service in a way that is more personal.

2. How to deal with pandemic in radio broadcasting

It is no secret that pandemic has had a significant impact on radio broadcasting industry. The number of listeners has fallen, ad revenue has been affected, and most importantly, the quality of radio broadcasts has been degraded.
In this post, we will explore the effects of pandemic on radio broadcasting and suggest some effective ways to deal with the situation.

3. How to prevent pandemic in radio broadcasting

The effects of pandemic in radio broadcasting are being felt by many. The fear of catching the disease, the inconvenience caused to many people, the lack of information and lack of trust in authorities are some of the effects of pandemic. Many people are wondering what they can do to prevent the spread of the disease.
Since the disease is still spreading and no one knows how it will develop in the future, it is important to take preventive measures now. Here are some tips to help you avoid pandemic in radio broadcasting.

4. Tips to manage pandemic in radio broadcasting

In the age of instantaneous communication, the pandemic has caused a lot of chaos and inconvenience. The most common way to transmit the virus is through close contact with infected individuals, such as through shaking hands, coughing, and sneezing. The virus can also spread through contact with contaminated surfaces, such as doorknobs, countertops, and desks.

There are a few things that you can do to manage the pandemic in your radio broadcasting station. First, make sure that all employees are vaccinated and take the necessary precautions to avoid contracting the virus. Second, keep your radio broadcasting station clean and avoid contact with infected individuals. Third, make sure that your broadcasting equipment is up to date and does not contain any vulnerabilities that could allow the virus to spread. Finally, keep a close watch on the news and keep yourself informed about the latest developments so that you can make the necessary decisions to manage the pandemic.

5. How pandemic has affected various aspects of radio broadcasting

The pandemic has had a direct effect on radio broadcasting. According to a study by the Radio Advertising Bureau, the percentage of Americans who listen to the radio daily has fallen from 71% in 2010 to 65% in 2014. The study further revealed that there has been a decrease in the number of Americans who listen to the radio for news and information as well.

The pandemic has also had a direct effect on ad spending. According to the Radio Advertising Bureau, spending on radio advertising has decreased by about 20%. This has in turn led to a decrease in revenues for radio broadcasters.

Radio broadcasters have also had to face difficulties in recruiting new staff. This is because many of the staff members have been affected by the pandemic and are unable to work. Additionally, many broadcasters have had to face the challenge of creating engaging content when a large percentage of their audience is away.

6. Lessons learned from pandemic in radio broadcasting

It has been just over a week since the pandemic started, and the effects have been felt in radio broadcasting. In this article, we will look at some of the lessons learned from the pandemic in radio broadcasting.

It has been widely reported that the pandemic has had a negative effect on both business and leisure activities. The World Health Organization has stated that the pandemic has killed more than 25,000 people and caused more than 1.5 million infections. This has had a significant impact on the radio broadcasting industry.

One of the first things to go was the advertising revenue. Advertisers have been reticent to invest in radio advertising due to the fear that their ads will not be seen by as many people. This has had a significant impact on the number of radio stations in operation.

Another area where the radio broadcasting industry has been hit hard is in the number of listeners. The pandemic has caused people to stay at home, meaning that the number of listeners has gone down. This has had a significant impact on the revenue of radio stations.

Looking forward, it is hoped that the industry will bounce back as people return to their usual habits. It is also hoped that the industry will be resilient to future pandemics.

7. How to recover from pandemic in radio broadcasting

It is with great sadness that we report the effects of the pandemic in radio broadcasting. Many stations have had to suspend their programming as a result of the pandemic.

There are a few things you can do to help recover from the pandemic in radio broadcasting.

First, make sure you are taking the necessary precautions to avoid the spread of the pandemic. This includes washing your hands frequently and avoiding close contact with other people who are infected.

You can also help by donating to charity. Many stations are running low on funds and any donations will be greatly appreciated.

Finally, keep your radio broadcasting station in your thoughts and prayers. We hope that you will all be back in business soon.

8. What to do next in radio broadcasting

Since pandemic is hitting the world, many people are wondering what to do next in radio broadcasting. It is not easy to know what to do because it depends on the station and the type of programming it airs. Nevertheless, here are some things that you can do in order to minimize the effects of pandemic on your station.

1. Reduce the number of live broadcasts. Live broadcasts are the most vulnerable to pandemic because of the close contact with people. You can reduce the number of live broadcasts by airing prerecorded shows or by simulcasting shows from other stations.
2. Keep the staff healthy. It is important that the staff is healthy and not infected with pandemic. You can do this by ensuring that they are wearing gloves, masks, and other protective gear when they are working. You can also keep the staff isolated when they are not working.
3. Increase the use of audio and video recordings. You can use audio and video recordings to replace live broadcasts. This will help to reduce the number of people who are affected by pandemic.
4. Cancel holiday events. You can cancel holiday events such as concerts, parades, and fireworks. This will help to reduce the number of people who are affected by pandemic.
5. Cancel nonessential meetings. You can cancel nonessential meetings such as board meetings, staff meetings, and training sessions. This will help to reduce the number of people who are affected by pandemic.
6. Keep the station open for emergency broadcasts. If there is an emergency, you can keep the station open even if there are no live broadcasts. This will help to provide information to the public.
7. Coordinate with other radio stations. You can cooperate with other radio stations to reduce the effects of pandemic on the community.
8. Review the emergency plans. You can review the emergency plans to make sure that they are effective in case of a pandemic.

9. Future of radio broadcasting in light of pandemic

Pandemic has had an adverse effect on radio broadcasting. The panic and fear of the people has resulted in a decline in the ratings of radio stations. People are now more interested in watching live events and news instead of listening to radio broadcasts. Television has taken over as the media of choice for most people.
However, radio broadcasters are not giving up and they are trying to adapt to the changing trends. They are planning to air more live events and news, in order to keep their listeners interested. They are also trying to develop new programming concepts that will appeal to the people.
They hope that the pandemic will eventually die down and that the ratings of radio stations will go back to the way they were before the pandemic.

10. Conclusion

The effects of pandemic in radio broadcasting are being felt by the industry. In this article, we will be discussing the different aspects of the pandemic and how it is affecting the industry. Starting with the production side, we will see how the number of workers has decreased and this has resulted in lower production of radio programs. On the audience side, we will see how the listenership has decreased. In terms of ad revenues, the situation looks bleak for the radio broadcasters. Overall, the pandemic has had a negative impact on the industry and it will take some time for it to recover.

We hope you enjoyed our blog post about the effects of pandemic in radio broadcasting. The media is one of the first places to report on the latest pandemic developments. We wanted to provide our readers with an overview of the pandemic and its effects on radio broadcasting. As you can see, the pandemic has had a significant impact on the industry. We encourage our readers to stay informed and to be aware of the latest developments. Thank you for reading!


Former Govt Official and Radio Anchor Sends Journalist to Prison for Cyber Libel

On Tuesday, December 13, 2022, a Quezon City court found journalist Frank Cimatu of Baguio City guilty of cyber libel for a Facebook post he published five years earlier. 

Cimatu’s jail term was set by Quezon City Regional Trial Court (RTC) Branch 93 to range from six months to five years, five months, and 11 days. Cimatu was also mandated by the court to pay P300,000 in moral damages. 

“FURTHER, premises considered, the Court finds accused FRANKLIN “FRANK” CIMATU y YAPO guilty beyond a reasonable doubt of the crime of cyber libel under Section 4(c)(4) of Republic Act No. 10175, also known as the Cybercrime Prevention Act of 2012, and sentences him to suffer the punishment of incarceration for six (6) months and one (1) day” (1).

Evangeline Cabochan-Santos, acting presiding judge for Branch 93 of the QC RTC, made the choice. The RTC’s decision is still subject to appeal, just like any other court decision.

Emmanuel “Manny” Piñol, a former head of agriculture, brought the accusation in relation to Cimatu’s 2017 Facebook post that stated: “Agri sec got rich by P21-M in 6 months. In addition to the accusation, Piñol sought P15 million in civil penalties. 

According to Piñol’s resume, which was posted on a government website, he entered the media industry and worked as a radio journalist and news writer in Cotabato City. 

The promulgation was supposed to happen on December 2, however that date was changed. Later, the promulgation was planned for December 13. 

The prior court win of Baguio City journalists this year has been diminished by Cimatu’s conviction. Former Cordillera police chief’s internet libel lawsuit against Northern Dispatch editor-in-chief Kimberlie Quitasol and volunteer correspondent was dismissed by La Trinidad Regional Trial Court.

The court determined that Cimatu’s statements and his Facebook post looked to be defamatory and an imputation of a crime. 

The Quezon City court stated that “a casual perusal of the Facebook post would demonstrate the writer, herein accused Cimatu, intended to harm Piñol’s character, credit, and virtue and expose him to public hostility, dishonor, scorn, and ridicule.” 

Cimatu “made it look,” it continued, that Piñol, the former head of agriculture, had engaged in corruption and gained P21,000,000 during a six-month period.

The complainant’s knowledge of the defamatory remarks is irrelevant, the court ruled. What counts is that “the defamatory comment has been heard or read by a third person.” 

According to the settings for Facebook posts, the court noted that Cimatu’s post had a globe icon at the top, which indicates that it was made using the public setting, as evidenced by the prosecution’s testimony. 

In defense of himself, the journalist claimed that his post was made private and that it was only intended for his Facebook friends to see. The Quezon City court, however, disagreed. 

It is important to remember that the requirement of publishing is satisfied as soon as a third person learns about the defamatory statement.

Since the parties agreed that Cimatu’s post is accessible to the public, the court stated that the element of publication is present in the case. 

According to the Quezon City court, Piñol commented on Cimatu’s article and provided his perspective, but the journalist “did not desist in his conduct, but went on to continue defaming the private plaintiff,” the court said. 


The court stated, “This is a strong indication of the accused’s purpose to defame Piñol, no matter the cost, and is plainly proof of malice.” 


Since the passage of Republic Act No. 10175, often known as the cybercrime act, 3,809 cyber libel lawsuits have been filed, according to data from the Department of Justice’s (DOJ) Office of Cybercrime as of November 2022.


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