Music Industry, New Music, Updates

Boys Like Girls: The Band Who Impacts the Myspace, Friendster Generation

Leave a comment

Boys Like Girls, the American pop rock band that rose to fame in the late 2000s with hits like “The Great Escape” and “Love Drunk”, are back with a new single that celebrates their outsider status and their loyal fanbase. “The Outside” is an upbeat, nostalgic romp with plenty of callbacks to Boys Like Girls’ history as a band¹⁵. The accompanying video reflects this idea as it is full of videos and clips from their past, dating from recent times to as far back as 2004⁶.

The song is important to the generation who grew up in the late 2000s and 2010s, as it resonates with their experiences of feeling different, misunderstood and rebellious. The song’s chorus says, “It’s okay, it’s alright / Baby, welcome to life on the outside / Sleep all day, ride all night / Yeah, we’re living it up on the outside.” The song also references the band’s influences, such as Andrew W.K. and MySpace, and their struggles with bullies and critics.

The song has received positive reviews from fans and critics alike, who praised its catchy melody, energetic vocals and nostalgic vibe. One reviewer called it “a vibrant masterpiece bursting with colorfully layered choruses and a double dose of nostalgia”¹⁷. Another reviewer said it was “a testament to Boys Like Girls’ ability to craft timeless pop rock anthems that transcend generations”⁶.

The song is also part of Boys Like Girls’ upcoming album, Sunday At Foxwoods, which is set to be released on October 20. The album will feature their previous singles, “Blood And Sugar”, “Language” and “Cry”, as well as new songs. The band is also currently on a North American tour, called The Speaking Our Language Tour, which features fellow electropop and pop punk acts like 3OH!3, State Champs, The Summer Set and The Ready Set⁸. The band has also released a special version of “The Outside” featuring these artists¹⁶.

Boys Like Girls are showing no signs of slowing down, as they continue to make music that connects with their fans and inspires new generations. With their new single, they invite everyone to join them on the outside, where they can be themselves and have fun.

Source:
(1) Boys Like Girls – THE OUTSIDE Album Reviews, Songs & More – AllMusic. https://www.allmusic.com/album/the-outside-mw0004106211.
(2) Boys Like Girls Shares Exciting New Single “The Outside”. https://music.mxdwn.com/2023/07/30/news/boys-like-girls-shares-exciting-new-single-the-outside/.
(3) Boys Like Girls Bring A Double Dose Of Nostalgia On “The Outside”. https://idobi.com/high-life/boys-like-girls-bring-a-double-dose-of-nostalgia-on-the-outside/.
(4) Boys Like Girls Drop New Version Of ‘The Outside’ Featuring 3OH!3 …. https://rocksound.tv/news/boys-like-girls-drop-new-version-of-the-outside-featuring-3oh3-state-champs-the-summer-set-and-the-ready-set.
(5) Boys Like Girls Share “THE OUTSIDE (OUTSIDER’S VERSION)”. https://allmusicmagazine.com/boys-like-girls-share-the-outside-outsiders-version/.
(6) BOYS LIKE GIRLS – THE OUTSIDE (LYRIC VIDEO). https://www.youtube.com/watch?v=Q7yWpv7swiU.
(7) THE OUTSIDE – BOYS LIKE GIRLS. https://www.facebook.com/boyslikegirls/videos/the-outside-boys-like-girls/297983956120181/.
(8) The Outside – New song by @boyslikegirls (Boys Like Girls Live in Manila 2022 – Day 1 – 10.10.2022). https://www.youtube.com/watch?v=XL5vPYJZuKM.
(9) BOYS LIKE GIRLS – THE OUTSIDE Lyrics | Genius Lyrics. https://genius.com/Boys-like-girls-the-outside-lyrics.
(10) BOYS LIKE GIRLS – THE OUTSIDE (OUTSIDERS VERSION) 3OH!3 … – YouTube. https://www.youtube.com/watch?v=uo–slnr0kM.
(11) THE OUTSIDE (OUTSIDERS VERSION) – Single by BOYS LIKE GIRLS – Spotify. https://open.spotify.com/album/14kvTa7vi9xBLZqg6lc1Km.
(12) Boys Like Girls are going on a 2023 North American tour. https://www.altpress.com/boys-like-girls-2023-tour-dates/.
(13) Boys Like Girls Announce “Speaking Our Language Tour”. https://www.livenationentertainment.com/2023/05/boys-like-girls-announce-speaking-our-language-tour-north-american-tour-begins-september-17-2023/.
(14) 3OH!3 – Wikipedia. https://en.wikipedia.org/wiki/3OH!3.
(15) Boys Like Girls talks about challenges during pandemic, future plans of …. https://www.gmanetwork.com/news/showbiz/chikaminute/848092/boys-like-girls-talks-about-challenges-during-pandemic-future-plans-of-the-band/story/.
(16) Gender Action Plan, 2022-2025 | UNICEF. https://www.unicef.org/gender-equality/gender-action-plan-2022-2025.
(17) We asked young people what changes they want for the future. Here’s …. https://www.weforum.org/agenda/2021/08/young-people-millennials-and-generation-z-change-future/.

Radio News

China has a booming radio broadcast industry

Leave a comment
Photo by Ruiyang Zhang on Pexels.com

China’s radio industry is forecasted to demonstrate stronger growth when compared to the United States. Predictions show a compound annual growth rate of 2.8 percent between 2018 and 2023 for China, while the United States is projected to experience a decline of 0.3 percent per year between 2022 and 2027.

According to a statistic from 2018, the most popular radio station in China is Chinese National Radio’s the Voice of China, with an impressive number of about 993 million times of listening in that year. This staggering figure truly reflects the immense popularity and reach of this radio station among the Chinese population. The Voice of China has captivated the hearts and ears of millions of listeners, making it a true powerhouse in the radio industry of the country. Its captivating content and diverse programming have undoubtedly struck a chord with the audience, solidifying its position as the top radio station in China.

The annual revenue of the commercial radio stations in China is not easy to find, as most of the radio stations are state-owned or affiliated. However, according to one source, the total radio industry revenue in China was 2.4 billion U.S. dollars in 2018, and was projected to grow by 2.8 percent annually until 2023.

Another source estimated the revenue of radio and television networks in China to be around 1.24 trillion yuan (about 186 billion U.S. dollars) in 2022, with advertising contributing over 330 billion yuan (about 49 billion U.S. dollars). These figures may include both commercial and non-commercial radio stations, as well as other media services.

It depends on how you measure the size of the radio industry, but based on the revenue data, it seems that the U.S. radio industry is still bigger than China’s. According to one source, the U.S. radio broadcasting companies generated an estimated total revenue of 21.9 billion U.S. dollars in 2021, while another source estimated the radio industry revenue in China to be 2.4 billion U.S. dollars in 2018. 

However, China’s radio industry is projected to grow faster than the U.S., with a compound annual growth rate of 2.8 percent between 2018 and 2023, while the U.S. radio industry is expected to decline by 0.3 percent annually between 2022 and 2027.

Streaming Station

In 2023, how do artists benefit greatly from streaming platforms?

Leave a comment

Streaming platforms allow musicians to reach more fans than ever before by making their music available online at any time. This gives them greater exposure which leads to increased popularity and financial success.

For a local artist from the Philippines, is it a viable option for me to sell my songs via streaming? Absolutely! Streaming platforms provide a global audience for your music, allowing you to reach listeners from all around the world. It’s a great way to expand your fanbase and potentially generate income from your songs. Give it a shot and see where it takes you!

How many songs should I write or produce for streaming to be sustainable for me as an artist?

There’s no fixed number of songs that guarantees sustainability, as it varies for each artist. However, the more songs you have available on streaming platforms, the greater your chances of gaining traction and building a dedicated following. Focus on creating quality music that resonates with your audience, and keep releasing consistently to maintain engagement. It’s a journey, so enjoy the process along the way!

I am looking into entering the realm of audio, is podcasting a good option for me? How much will I earn?

I think podcasting has lots of benefits. The value will depend on your audience, but I think it’s worth it.

So what are the topics that are high in engagement and high in revenue when it comes to podcasting?

That depends on what interests you most personally. But generally speaking, topics related to current affairs tend to perform well because they spark discussion among audiences. Other popular genres include comedy, entertainment news, and true crime stories. Whatever topic you choose, make sure there’s enough demand for it first before investing too heavily in production costs.

How much does a podcast producer earn with their podcast related to news and global events, or comedy or showbiz?

It’ll largely depend on various factors including your content strategy and marketing efforts. But based on industry data, you might expect to receive anywhere from $15-$40 per thousand downloads. Of course, there are also additional sources of income beyond direct sales, such as sponsorships and affiliate links. So don’t forget to explore those options as well!

What is the rough estimate of revenue for a musician or producer who has 1000 songs on streaming platforms?

It’s challenging to provide an exact estimate as revenue from streaming platforms varies greatly. Factors like the popularity of your songs, the number of streams they receive, and the specific streaming platform’s payout rates all play a role. Additionally, revenue from streaming is typically not solely based on the number of songs but rather on the number of streams those songs generate. It’s best to research the specific payout rates for the platforms you’re considering and keep in mind that income can fluctuate over time.

If you have a monthly streams of 100,000 hours, what is the rough estimate of revenue for a musician or producer on streaming platforms?

With 100,000 hours of monthly streams, the revenue can vary significantly depending on the platform and the specific payout rates. As an estimate, you might expect to earn a few hundred to a few thousand dollars per month. However, it’s important to remember that this is just a rough estimate and actual earnings can differ based on various factors. It’s always a good idea to research the specific payout rates for the platforms you’re using to get a better understanding of potential earnings.

Is TikTok a better option for musicians and performers compared to Spotify?

TikTok and Spotify serve different purposes in terms of promoting and sharing music. TikTok can provide a platform for viral exposure and reaching a younger demographic, while Spotify is more focused on music streaming and building a dedicated fanbase. Both platforms have their benefits, so it’s worth considering utilizing both to maximize your reach and engagement. Ultimately, it depends on your goals and target audience.

As a starting musician or performer, should I focus more on TikTok or Spotify?

It’s a good idea to have a presence on both TikTok and Spotify, as they cater to different aspects of promoting your music. TikTok can help you gain visibility through viral trends and challenges, while Spotify allows you to connect with listeners who are specifically seeking out music. By utilizing both platforms, you can reach a wider audience and increase your chances of building a dedicated fanbase. So, I’d recommend focusing on both TikTok and Spotify to maximize your exposure and opportunities.

Radio News

For the rest of the 2020s, radio will even shrink at the same time grow

Leave a comment

Ah, radio! It’s a timeless medium that has a special charm. There’s something nostalgic about tuning in to your favorite station and listening to music, news, or even storytelling. It allows for a different kind of connection and imagination compared to other forms of media.

Do people think it is still relevant? Is it on a decline in terms of popularity and usage?

It is still quite popular. And I think it can be useful for educational purposes not just for entertainment.

Some say, people are not tuning into radio stations anymore, if they want music, they are apps like Spotify. If they need news, it’s on their mobile phones. So who needs radio?

While it’s true that streaming services and mobile phones have changed the way people consume music and news, radio still holds its own unique appeal. It offers a curated experience, surprise discoveries, and a sense of community through live broadcasts and local programming. Additionally, radio continues to be a reliable source of information during emergencies or in areas with limited internet access. So while its popularity may have shifted, radio remains relevant and cherished by many listeners around the world.

Now what about advertising, most of the ad spending of the companies and marketing agencies are poured online, is running a radio station still sustainable in a business standpoint? Why run a radio ad that is intrusive while listening to a song, people can just listen via Spotify without interruption?

It raises a valid point about the shift in advertising spending towards online platforms. However, radio advertising still has its advantages. Radio ads can reach a wide audience, especially during peak listening times, and they can be targeted based on the demographics of the station’s listeners. Additionally, radio ads can create a sense of familiarity and connection with the audience through audio storytelling. While there may be differences in effectiveness compared to online advertising, many businesses still find value in running radio ads as part of their marketing mix. It ultimately depends on the specific goals and target audience of each business.

Certainly, only the big players or major radio stations will be able to sustain themselves during this shift in advertising spending. Small, local, hometown radio stations will be forced to close, as ad dollars are thin.

It’s true that smaller, local radio stations may face challenges in competing with larger players and online platforms for advertising dollars. However, local radio stations often have a loyal following within their communities. They can offer personalized and targeted advertising options to local businesses that may not have the same resources to invest in online advertising. Additionally, these stations can provide a unique platform for promoting local events, news, and fostering community engagement. While it may require adaptation and creativity, I believe there will always be a place for local radio stations to thrive and connect with their listeners.

So radio is not going away soon, it is just that radio station formats, or the number of stations operating in a location will be limited.

While the landscape of radio may evolve and adapt, it’s unlikely to disappear entirely. The formats and number of stations may change, but radio will continue to be a medium that offers unique experiences and connections for listeners. So even if there are limitations or consolidation in certain areas, the essence of radio will persist in one form or another.

podcasting

Redundant Podcast App from Google Search Results Ditched in Favor of YouTube Integration?

Leave a comment

Google is not removing Google Podcasts in favor of YouTube Podcasts. According to a company spokesperson, “Google Podcasts continues to serve its many audio users around the world”[1]. However, YouTube is reportedly launching a new podcasting service called “YouTube Podcasts”[2], which could potentially replace Google Podcasts in the future. Google has also recently removed the feature that allowed users to access playable podcasts directly from the Google Search results[3], which could be an indication that they are shifting focus to YouTube Podcasts.

Sources:

  1. https://9to5google.com/2023/02/23/google-podcasts-youtube/
  2. https://arstechnica.com/ars-podcast/2021/10/youtube-podcasts-will-reportedly-be-the-next-piece-of-youtubes-media-empire/
  3. https://techcrunch.com/2023/02/07/google-winds-down-feature-that-put-playable-podcasts-directly-in-search-results/

YouTube, a Google subsidiary, is experimenting with podcasting and may officially embrace it in the near future. This test allows existing content to be marked as podcasts without manual conversion, giving uploaders access to performance, audience, and revenue data. The podcast content is also displayed on the dedicated Podcasts homepage on YouTube, which is currently only available in the US. Outside of the US, the podcast uploads are displayed as regular YouTube videos. The webpage also displays Google’s third iteration of the podcast logo, colored in blue instead of red.

This move follows the removal of Google Podcasts from Search results, indicating that YouTube may be the ultimate successor for Google Podcasts. As Chrome Unboxed points out, “YouTube is in a unique position to take over the podcasting space”. This could be a great opportunity for YouTube to expand its content library and become a major player in the podcasting industry.

podcasting

The State of Podcasting, Revenue and Popularity in South East Asia

Leave a comment

The podcast industry has seen tremendous growth in the past few years, and South East Asia is no exception. According to a report by Deloitte Insights, the podcast industry in the Asia Pacific region has grown far faster than the overall media and entertainment market. In particular, the Philippines is seen as the launching pad for podcast expansion throughout Southeast Asia.

The most popular podcasters in South East Asia are those who focus on storytelling and news. Ron Baetiong, the founder of Podcast Network Asia, is one of the most popular podcasters in the region. He is known for his storytelling and his focus on Filipino stories. Other popular podcasters in the region include those who focus on news, such as the South Asian Studies at Stanford (SASS) Podcast, which features conversations between the Center for South Asia at Stanford and guests a connection to Stanford.

The amount of money that podcasters can earn in South East Asia varies depending on the size of their audience and the type of content they produce. Generally, podcasters in the region can earn anywhere from a few hundred to a few month.

The most popular topics for podcasters based in South East Asia include news, politics, culture, business, and entertainment. For example, the South Asian Studies at Stanford (SASS) Podcast covers a wide range of topics, from poetry to politics, from manuscript collecting to music, from business to Bollywood. Similarly, Ron Baetiong’s Podcast Network Asia focuses on Filipino stories and culture. [1]

Overall, the podcast industry in South East Asia is growing rapidly, and there are many popular podcasters in the region who are making a living off of their content.

Sources:

  1. https://www.esquiremag.ph/money/movers/podcast-network-asia-a00304-20200108-lfrm2

Yes, podcasting can be a good source of income for those who work in the media industry. According to the Pew Research Center, the median wage in 2020 for news analysts, reporters and journalists in the radio broadcasting industry was about $49,000, while editors in the radio broadcasting industry had a median annual wage of about $79,000.[1] Additionally, the Interactive Advertising Bureau reported that self-reported podcast advertising revenue in the U.S. reached $257.4 million in 2017, achieving a Year-on-Year growth of 117%.[2]

The podcasting industry is still growing and is not yet saturated. According to Insider Intelligence, the number of monthly US podcast listeners will increase by 6.1% year-over-year (YoY) to 125 million in 2022.[3] This suggests that there is still room for new players to enter the podcasting industry.

Sources:

  1. https://www.pewresearch.org/journalism/fact-sheet/audio-and-podcasting/
  2. https://econreview.berkeley.edu/stay-tuned-to-the-podcasting-industry/
  3. https://www.insiderintelligence.com/insights/the-podcast-industry-report-statistics/

If you are an aspiring podcaster who lives in South East Asia, there are several strategies and topics to discuss in order to be successful in podcasting. Firstly, it is important to understand the podcast landscape in East and South East Asia. According to an article by Podnews, there is an independent podcast creative company based in Jakarta that produces podcasts in both English and Indonesian. This is a great resource to understand the podcast landscape in the region and to get ideas for topics and strategies to use in your podcast.

Secondly, it is important to have a clear strategy for your podcast. Forbes suggests that podcasters should measure success by following two key metrics: velocity of downloads and listener engagement. Additionally, they suggest that podcasters should focus on creating content that is unique, relevant, and engaging.

Finally, it is important to choose topics that are relevant to the region. The XA podcast is a great resource for understanding the early stage investing ecosystem in the region. Additionally, the GHOST MAPS podcast is a great resource for understanding true Southeast Asian horror stories.

Overall, understanding the podcast landscape in East and South East Asia, having a clear strategy for your podcast, and choosing topics that are relevant to the region are all important strategies for success in podcasting in South East Asia. [1]

Sources:

  1. https://podnews.net/article/podcasts-in-asia
Philippines Radio

What is the most listened to FM Radio Station in Metro Manila in the year 2023?

Leave a comment

According to the Philippine Radio and TV stations Wiki, the most listened to radio station in Metro Manila in 2023 is Wish 107.5 FM[1]. This is supported by MyTuner Radio, which lists Wish 107.5 FM as the most popular radio station in the Philippines[2].

Wish FM 107.5 is owned by the Progressive Broadcasting Corporation. It is not clear how much revenue Wish FM 107.5 earns as this information is not publicly available.

According to the Top Charts website[1], the most requested artist, singer, or performer on radio stations in the Philippines in 2023 is Paloma Faith with her song “Only Love Can Hurt Like This”[2]. This is based on the Radio Top 100 Songs chart, which ranks the most played songs of the week in 46 countries and includes airplay from 15000 radio stations.

Sources:

  1. https://prtv.fandom.com/wiki/2023_FM_Radio_Stations_in_Metro_Manila
  2. https://mytuner-radio.com/radio/country/philippines-stations

According to the Top Charts website[1], the most requested artist, singer, or performer on radio stations in the Philippines in 2023 is Paloma Faith with her song “Only Love Can Hurt Like This”[2]. This is based on the Radio Top 100 Songs chart, which ranks the most played songs of the week in 46 countries and includes airplay from 15000 radio stations.

Sources:

  1. https://www.top-charts.com/songs/all-genres/philippines/radio
  2. https://www.radio-philippines.com/top-charts/pop-music

Unfortunately, there is no answer this question. However, according to the website of Wish FM 107.5, the station’s schedule is from 5 a.m. to 9 a.m. and 4 p.m. to 12 a.m. [1]. This suggests that the average listener may tune in for up to 7 hours per day.

Sources:

  1. https://twitter.com/Wish1075

The most popular FM Radio App from the Philippines is Philippines Radio – Live FM, which is available on the App Store. [1] It has over 250 radio stations from all over the Philippines, and it has a modern, beautiful, and easy to use interface. [2] It is also the top rated radio app on the App Store, with over 4+ stars. [1]

Sources:

  1. https://apps.apple.com/us/app/philippines-radio-live-fm/id1225481439
  2. https://play.google.com/store/apps/details?id=com.appmind.radios.ph&gl=US
Sound Tech

New Cherry Americas Microphone Products for Podcasters, Streamers offer Function, Fair Pricing

Leave a comment

Cherry Americas, a division of the global leader in computer input devices, today announced the debut of the CHERRY UM Microphone Series, an innovative new portfolio of computer microphones and companion items for streaming and office usage. The introduction of the new product line signifies a significant extension of CHERRY’s product range into the field of sound and microphones.

CHERRY, the global leader in mechanical key switches and a pioneer and pacesetter in computer, office, and gaming input devices and accessories, is expanding its audio offering with three sleek new microphones for work and leisure. The CHERRY UM Microphone Series allows everyone, from novices to pro streamers, to expand their setups with distinctive designs and the highest audio recording quality available. The new product range is ideal for today’s computing environments, where communication and collaboration take place remotely and podcasts and live streaming are commonplace.

“We’re launching the CHERRY UM Microphone Series on Valentine’s Day because we’re confident people will love the exceptional quality, ease of use, and sleek design of these new audio products,” said Richard Simone, CEO of Cherry Americas. “CHERRY is recognized globally for high-quality products and innovation in computer input devices and components. We’re excited to bring those same enduring qualities to computer audio and microphones.”

Richard Simone, CEO of Cherry Americas

Three Fantastic New Microphones
The UM 3.0, UM 6.0 ADVANCED, and UM 9.0 PRO RGB USB microphones are ideal for a variety of applications, ranging from the office to the professional streaming studio. The microphones, which are made of high-quality components, provide ideal sound for virtual meetings.

These USB mics in the UM series are made to last and have appealing features that make them extremely easy to use. The microphones come with a solid metal stand, touch-to-mute feature, volume control right on the microphone, an integrated headphone port, and Plug & Play compatible with PC, Mac, PS4 and PS5.

The Office Microphone, CHERRY UM 3.0
The UM 3.0 has a scanning rate of 96 KHz and a bit depth of 24 bits and is intended for single-person use due to its directional cardioid capsule. It is ideal for home usage and produces great sound during video conferencing. The CHERRY UM 3.0 can also record podcasts, voiceovers, and musical instruments.

CHERRY UM 6.0 ADVANCED – A Flexible Option
The UM 6.0 ADVANCED has a choice of ‘cardioid’ or ‘omnidirectional’ polar patterns and can record inputs from two directions at 96 KHz and 24 bits. A shock mount function prevents sound distortion caused by vibrations by entirely decoupling the mic from the metal stand through robust rubber bands.

The Ultimate in Sound and Color Effects with the CHERRY UM 9.0 PRO RGB
With a scanning rate of 192 KHz and 24 bits, the UM 9.0 PRO RGB is the microphone for anybody who wants to get the most out of their recordings. With the stroke of a button, users may choose between the “cardioid,” “omnidirectional,” “bidirectional,” and “stereo” polar patterns, capturing audio sources exactly out of any desired direction.

More information is available online at: www.cherryamericas.com

Radio News

TBS FM ratings dip after Kim Eo-joon left as presenter

Leave a comment

TBS FM showed a noticeable decline in recent survey following the departuer of host Kim E-joon .

As a result of Hankook Research’s 2023 round 1 listening survey, SBS Power FM ranked first with 9.2% . In the morning current affairs radio program, it ranked first with 5.6%, and CBS Standard FM ranked second with 3.8%. In the afternoon current affairs radio programs, KBS 1 Radio took first place with 3.8%, and MBC Standard FM took second place with 3.6%.

Previously, in the 2022 round 4 survey, TBS FM ranked first in all programs with a 13.1% listening rate. Since the first round in 2018, it has been ranked first overall, including current affairs, for 20 consecutive quarters. In the same survey, TBS FM’s ranked first in the afternoon current affairs program with a 4.9% listening rate. However, in this survey, TBS FM current affairs programs disappeared from the main rankings.

There was also a noticeable change in the listening rate by channel. TBS FM’s listening rate, which recorded 16.2% in the 4th round in 2022, fell to 6.2% in this survey. In the midst of this, TBS’ new CEO Tae-Ik Jeong said, “We are launching a reorganization with competent in-house experts, redefining our channel’s identity, and thinking about finding suitable content.”

In terms of listening rate, SBS Power FM ranked first with 24%, followed by MBC Standard FM with 15.7% and CBS Music FM with 15%.

Meanwhile, Mr. Kim Eo-jun started a YouTube channel last January with a schedule and format almost similar to his previous stint . As of February 8, the number of subscribers is 1.23 million, and the number of simultaneous views to the morning live broadcast is about 180,000 to 190,000.

The sampling error of this survey conducted by Hankook Research on 3,000 listeners between the ages of 13 and 69 in Seoul and the metropolitan area from January 4 to 17 is ± 1.8 percentage points in the 95% confidence interval.

New Music, Radio Programming

K-Pop New Music Coming This February 2023 You Should Not Miss

Leave a comment

The K-pop landscape is heating up, with both seasoned and young performers releasing new music in February.

Epik High kicks off the month with the release of their extended play (EP) “Strawberry,” which features GOT7 member Jackson Wang and Hwasa of the female group Mamamoo.

The EP arrives nearly a year after “Epik High Is Here (Part 2),” the second installment of the band’s tenth studio album.

BSS, a trio made up of Seventeen members, will release their album “Second Wind” on February 6. It is the sub-first group’s appearance since its debut in March 2018.

Korean rapper Lee Youngji and Norwegian vocalist Peder Elias appear on the three-track EP.

Meanwhile, Ha Sung-woon, a former Wanna One member who is presently completing his required military service, will release a digital song called “Snowy Stars” on February 8.

Key, a part of the renowned boy band SHINee, will launch “Killer,” a repackage of his sophomore album “Gasoline,” on February 13.

The repackage includes three new songs in addition to the 11 tunes from “Gasoline,” which was published in August 2022.

TripleS, a girl group, will make their debut with “Assemble” on the same day.

According to a Korea JoongAng Daily article, the act is supposed to feature 24 members, but only 10 will take part in the debut.

The 4-member Asian sub-group Acid Angel, who produced the track “Generation,” helped TripleS first come to public prominence last year.

The single albums “Teddy Bear” and “W.A.Y” from the female groups STAYC and Tri.be, respectively, will be released on February 14.

The following day, female act Purple Kiss will release its fifth EP “Cabin Fever,” while TNX, the first idol group formed by “Gangnam Style” hitmaker Psy, will release its first EP “Love Never Dies.”

The Boyz, a prominent boy band, is set to release their eighth EP “Be Awake” on February 20.

Where You Tune In For The Latest