All posts by RadioOnlineNow

Radyo Natin Streaming Stations: The Evolution of Radyo Natin Network

Radyo Natin

I was not really a big fan of Radyo Natin brand as I used to get confused with what the format is all about. They do news talk in the morning usually around 5-7 am and then goes music programming all day, and does newstalk again at the later part of the day. In some markets and franchises, they air public service, Catechismic programs and paid shows during the evenings. The music programming is either done locally or through a satellite feed from Radyo Natin HQ. In some occasions, they get feeds from Hot FM HQ. It really is confusing.

Radyo Natin for me is like the old AM. I recalled one time what a radio technician friend told me about the old days of radio, back when there was no FM yet. Radyo Natin today is exactly what AM stations were before according to him. Newstalk was the major content and music programs were aired in between news programs.

That’s when I get to understand Radyo Natin. It’s more like a community radio station, than the usual newstalk or music station we listen to. Radyo Natin helped rural areas have their own radio stations where they can air their voices, participate in community activities. Something that small markets were not able to do back since FM and AM stations were mostly based in capital cities.

The Radyo Natin (“Our Radio”) brand is not for the large market, which is basically why mother company MBC has other brands under its wings like Hot FM, Love Radio, and Yes FM.

I commend some franchises though who have taken a bold step and added a new twist to the “barriotic” personality of Radyo Natin. In some markets, Radyo Natin stations operate as stand-alone, all-music formats. You can still hear though the usual Radyo Veritaz feed every morning, but you can sense that the rest of programs are now done locally.

In fact, some franchises resorted to using “Radyo Natin FM”, with the emphasis on FM, to make the brand look and sound more “FM”. Radyo Natin is geared toward the market. In some areas, however, they dropped the Radyo Natin logo and instead used “RN-FM”. In fact, these stations operate in CHR format.

Imaging-wise, there Radyo Natin jingles were a big flop. I don’t why MBC allowed American singers to sing a Tagalog radio station name. The twang on the Radyo Natin sing, specifically on the “T” is just so unforgivable. Yet, Radyo Natin franchises and branches all over the Philippines are still airing them.

Listeners actually don’t mind about the jingles or imaging IDs that they hear about the station. What usually gets to them all the time is the kind of personality the radio station projects. It’s good to hear that there are Radyo Natin stations in the country that are making improvisations on the brand. That’s a good sign that these stations are responding to the listening habits of their audience.

I’d like to feature here three Radyo Natin markets with their websites, two of them are streaming online.

If you are a Radyo Natin station, comment below and post your website so we can feature you.

A Big Lesson for All Radio Station Managers to Learn

A Big Lesson for All Radio Station Managers to Learn
A Big Lesson for All Radio Station Managers to Learn

This is an open letter from Mr. Bill Figenshu, an American veteran radio broadcaster. Figenshu shares his experience during and after the declaration of Barack Obama as the president elect. He was moved by the sight of young people flocking every corner of Chicago and in the whole United States to celebrate the victory, not only for one person, but for the victory of standing up for what is right.

Figenshu was able to relate this experience to the present state of the radio industry. Radio needs CHANGE! And with this open letter, we hope that even radio stations around the world will learn to stand up for a better CHANGE.

Here is the open letter of Bill Figenshu:

The events of the last few days have made me proud to be an American. Believe me, I’m not one of those real verses fake Americans that was created in the presidential campaign, I just think we are all so fortunate to live in a country as wonderful as this. No matter who you voted for, you had to get a bit misty eyed watching history unfold before us in Chicago, and New York, and on the streets and cities in the US and around the world.

I am also proud to be a broadcaster, and yes, an American Broadcaster. The amazing pictures of the throngs of people truly excited to see the change from the long dark night that defined the last few years got me to thinking, I can’t remember a time when the streets were filled with people after an election .. mostly young people … mostly young people excited and hopeful for the future of the country they want it to be. One can’t help but be inspired.

Click the link to continue reading -> Continue reading A Big Lesson for All Radio Station Managers to Learn

iFM 93.9 Cebu is Number 1

iFM 93.9 Cebu is Number 1 in KBP - RRC Survey
iFM 93.9 Cebu is Number 1 in KBP - RRC Survey

Visit iFM 93.9 Website here
http://ifm939.webs.com/

A radio executive and very credible resource has just pinged me today that DYXL FM 93.9 mHz iFM is the now number 1 radio station in Metro Cebu as per August 2008 KBP-RRC or Radio Research Council Survey.  My reaction is – “YEEEEEEEHEEEEEEEYYY!”.

I admit I am biased but iFM deserves it. Matter of fact, you don’t even need a survey to know that iFM  is the best and most listened radio station in the entire of Cebu. Hot FM 91.5 (Manila Broadcasting Company) comes in second. Now where does that leave former leading stations DYLS (MOR 97.1 Lupig Sila, ABS-CBN) and DYRT (Nindota AH 99.5 RT, RGMA)? Huh! I would not care!

I mean come on, who would want to believe that these two “cheap” stations (DYLS, DYRT) were formerly the leading stations in Cebu? I having nothing against the MASA format. But, listeners don’t deserve cheap, crappy programming and production. Just take a close listen to DYLS FM and DYRT FM, their programming and production are just so lame! Compare their programming with that of iFM, and you will know the difference.

See the MASA format is not really all about the music and all the “ka-jologan” “ka-cheapan” gimmicks! It seemed that most stations who call themselves “masa” don’t really understand what the format means. For them, as long as they hire disc jockeys that sound like the “palengkeras”, that’s already it, that’s MASA!.

These radio stations have completely insulted US listeners. Palengkeras in the public market even know how to speak English. Their giving their listeners cheap radio content, cheap and crappy produced commercials, cheap DJs, cheap adlibs, cheap promos, cheap gimmicks, cheap, cheap, cheap as though they are looking at US listeners as “CHEAP”. Holy Crap!

Now the joke is on you!

My goodness these so-called masa stations don’t even give a sh*ty effort in polishing their productions, the commercials they air. Oh my!

But thank God for iFM. They redefined the MASA format. They also put effort in everything that comes out from their transmitter. Every commercial that comes out is made sure that is of broadcast quality, acceptable by humans ears and brains, pleasing, and most of all MASA. MASA, my dear friends, is a radio format that is acceptable by most listeners.

What those so-called MASA stations do is that they cater only to a small chunk of the actual MASA market. They cater only to the jeepney drivers, some so-called MASA stations target only the public market vendors. That is not true MASA. MASA also includes white-collared workers, call center agents, private school students, sales ladies, executives, ballot vendor, taxi driver, teacher, liar, I mean lawyer, GROs, bank manager, in short everyone, we, all of us, we are the MASA.

Wheew!

Listeners and advertisers deserve quality content on the air, whatever format it is! I have always been an advocate of quality production and programming. Now the efforts of those radio stations who want to give their listeners better content have paid off.

So, I salute once again iFM, in behalf of all the radio stations who are doing efforts. Continue to deliver best quality and not pure commercialism on the air.

***

DISCLAIMER: This website does not forward requests, love notes and messages to iFM. Moreover, nor we take responsibility for any harm or inconvenience brought about by posting love notes, requests, or greetings via this post’s comment section.

Who Needs Radio Timechecks These Days?

Who Needs Radio Timechecks These Days?

“It’s 10 minutes passed 8 o’clock”

“A couple’a minutes before 10”

“The time is now 7:30”

Timechecks – it’s radio’s most popular adlib. Broadcasters do it to inform listeners of the current time, some DJs deliver timechecks before a newscast, some radio stations capitalize on timechecks, while most of the time DJs just babble about time, or in short they just timecheck because they have got nothing else to say.

Fillers or whatever, are timechecks really necessary nowadays? Sure, not everyone is wearing a digital or analog clock on his or her wrist, but do we really need to be reminded often about the time.

On average, a disc jockey on an FM station does timecheck three times in an ho ur. Where did we get this data? Well, just listen to your favorite station and you will know. Is it really necessary to check the time three times an hour?

Well, let me ask you. On a typical day without radio, how frequent are you glancing at the clock or on you wristwatch? Perhaps in the morning, you’d probably be keeping track of the time four times only. First, when you wake up. Second, before you leave the house for work or school. Third, during break time. And fourth, before lunch.

So, is there a point in knowing the time three times in an hour?

Sure, time is gold. And the intention of reminding us frequently of the time by radio DJs is noble. Thank you very much! But hey, some talented DJs can’t get enough of reading the time every time they adlib. Like, there is nothing more juicy and meaty to say other time.

There is also another issue about timechecks. It’s not only the frequency, the issue also has something to do with the delivery. Well, let me ask you another question, do you prefer a digital clock or an analog clock?

When I was a kid, I always wanted to have a digital watch because I had difficulty reading the time on an analog clock.  I used to literally point my finger on the minute markers and count from 1 to 60 just to be able to tell the exact time.

But in my adulthood my preference has changed. The analog clock proved to be more helpful not because I’ve learned to master the art of reading analog clocks. But because an analog clock VISUALLY helps me read and manage time better than the digital counterpart.

Suppose you need to be in the office at 8:00 and it’s already 7:43, it would be easy to tell how fast the jeepney should catch up with an analog clock than with a digital one, is not it?

Digital clocks are, of course, beneficial in other applications like sports, competitions, scientific studies, etc.

See, this is what radio broadcasters are missing out so much. Sports coaches, contest judges, and scientists do not use radio to measure or observe time. Radio listeners depend on the timechecks on a relationship basis. Are you getting this now?

Now let me ask you this third question? Which timecheck format do you prefer to hear? Take note, the word is HEAR. Because, you know it’s easy for us to read, process, and understand time if we have a digital or analog clock right in front of our face. It’s a completely different story if someone else reads the time for us. It takes longer for our brains to process time audibly then if we get it visually, is not it?

Now which timecheck format do you prefer:

a.) digital format  e.g. ”10:45”
b.) rounded-up format e.g. “it’s a quarter before 8” or “the time is half passed 9”
c.) non-digital format e.g. ”the time is 13 minutes after 7” or “it’s 9 after 10”

I understand that some of you might answer “it depends”. While some of you could be stringent on a specific format. See, “it depends” and the “specific” are the points that most radio stations are missing out these days.

Some of us listeners prefer the digital format, while some prefer the rounded up, or whatever. The safest way to read the time is the digital format. This is what my mentor taught me when I was a DJ trainee. It’s safe and quick to deliver. “The time on (your favorite radio station name here) is 10:45” and the DJ is done.

Now, I understand that we DJs always want to ornament our words, so the radio world came up with different reads, and thus born the rounded up and the non-digital ways of reading time.

Okay, so let’s get this straight. I understand that there are DJs who really love to use ornamented ways to do timechecks. Remember the timechecks are not for you DJs or announcers, or newscasters, it’s for the listeners.

So let’s look at an average listener. An average listener has around eight major important points in his or her daily activity. Here is an outline:

1. The time he/she wakes up (5:00-7:00 am)
2. The time he/she eats breakfast (7:00 am onwards)
3. The time he/she leaves the house for school/work/others (before 8:00 am)
4. Break time (before 9:00 am)
5. Lunch time (before 12:00 am)
6. Time before he/she goes back to work in the afternoon (before 1:00 pm)
7. Break time (before 3:00 pm)
8. Time before he/she leaves school/work/others (before 5:00 pm)

Remember that this is only from the average listener. Now you notice that there are INDICATED TIMES on every point. These are the moments when he or she needs to know the time.

It is important that during those indicated times, the timecheck should give the listener a visual representation. During these times, the listener does not mind about the exact time. What he or she needs is how long the time has already passed or how long is it before the next hour.

Which is BASICALLY why the two formats: rounded-up and non-digital are more preferable during those crucial times!

For example, a student who just woke up at 7:20 am and has a class to catch up at 8:00, processes a timecheck easily if he gets a visual representation of the timecheck. Instead of saying, “7:43”, the DJ might as well round it up and say “it’s almost a quarter before 8 o’clock”. That’s easier to digest, is not it?

Or for an office worker who usually wakes up at 5 am, it would be easy for her to digest the timecheck, if the announcer says “it’s 10 minutes after 5”.

Another example is the time before the office worker leaves the workplace. It’s helpful if the DJ reminds the listener that it is already “15 minutes before 5 o’clock” than if you say “4:45”.

Now during those NON-CRUCIAL TIMES, it is best that the DJ uses the digital format. In the office place, nobody cares if it’s already 30 minutes after 8 o’clock. Not unless, you want to remind them how long they’ve been already late.

SO, during those NON-CRUCIAL TIMES, DJs, please limit your timechecks to one.

Now, this does not end here. There might be exceptions and we leave those exceptions to you DJs, announcers, or whatever. But please, use your common sense. If you have lost your common sense though, is here is a guide.

THE DON’Ts:

1. Do not over-use the rounded up format. It’s always safe to give the EXACT time.
2. Do not be reckless when using the “after” or “passed the hour” style. It’s unnecessary, impractical, and unforgivable to say “the time is already 43 minutes passed the hour of 3”.
4. Do not be reckless when using the “before” or “to go” style. It’s forbidden, illogical, and inhumane to say “it’s 53 minutes to go before 10 o’clock”.
5. Do not be a MOTOR MOUTH when doing the timecheck. Whatever format you use, say it clearly and smartly.
6. And finally, DO NOT FORGET TO CHANGE THE CLOCK BATTERIES!

Mix FM Oton, Radyo Natin Iba Zambales Stream Online

Mix FM OTON, Radyo Natin Iba Zambales Online Streaming StationsJust added a couple of pinoy streaming radio stations: Mix FM Oton, Iloilo, and Radyo Natin Iba, Zambales. Mix FM is an FM station of Oton Broadcasting System. It operates on a POP music format. You can visit their website at www.mixfmoton.com.

Radyo Natin FM has been around in Iba, Zambales since 1997. And as new technologies emerge, Radyo Natin Iba took advantage of web streaming to capture more listeners. You can listen to Radyo Natin Iba online at http://www.radyoiba.ph.tc

Visit our Pinoy Online Radio Streaming page to listen to other Pinoy streaming stations. Click here.

99.5 DWRTFM Aircheck on First Day of Broadcast Return

Here are a couple of goodies for all ye 995 fans out there. The first YouTube vid here is an off air compilation of 995 imaging and jingle cuts.

The second vid here showcases the first few hours of 995’s return to the airwaves. This is an off-air cap of the Morning Show with Joshua Z.  You’ll hear the a couple of signature morning parodies here: the Teenage Mutant Ninja Turtle Morning Show Parody and the 1960s Batman Parody. The parody jingles sounds really great, not sure if they were made locally.

The classic 995 jingles returns also, they were produced in Dallas, Texas by Thompson Creative, it was syndicated from an original package for KFRC, San Franciso. Some of the 995 jingles were produced by TM Century, specifically those that bear the 102.7 KIIS FM logo.

Does anyone know who’s behind the male VOICEOVER?

Thanks again to J5Bata for the clips.  Check out more Metro Manila jingle montages and airchecks here –> RadioJingles.co.nr/JingleAudioMontage

 

DWKC 939 Live It Up Jingle

Just viewed KCFM vid on Youtube, thanks for the link j5bata. I agree, this jingle is fantastic, locally made but pang-world class ang production. Although it would not work for today’s market and programming requirements but it did served its purpose way back the “live it up” days ng RMN FM network.

I could remember way back when I was in Dagupan , there was a generic version of that jingle without the KCFM logo at the end, RMN used this for their regional stations, before the iFM brand was launched. In Dagupan, it was ON-FM 104-7, in Cagayan de Oro City, it was 99-9 VM-FM, in Cebu City it was 93-9 XL FM.

It think RMN was the first FM network to use a unique read of the dial point. Most stations before read the frequencies with the dot or a point as in ninety-three-point-nine or ninety-three-dot-nine.

The “point-less” dial point read originated in the U.S.A. when stations begin to drop the “point” in delivering station breaks. The point of not reading the “point” in the frequency is easy memory recall. With the advent of digital tuner display on mini-components and car stereos, listeners are more likely to remember the dial point of the station. In short, it’s a radio branding strategy.

This radio branding trend lives on today in Cebu City. MBC’s Hot FM here reads their dial point as 9-1-5, as in nine-one-five for 91.5mHz. Hot FM is third in the ratings game, but on actual listenership, HOT FM Cebu rules. This is because the other two leading stations are focusing their branding on “stationality” or station personality.

DYLS (ABS-CBN) brands itself as Lupig Sila and DYRT (GMA) brands itself as “Nindota Ah”. The leading stations, with the former as the number 1, puts more focus on their unique selling proposition – building a brand, a feeling, a listener experience. But both stations however put less emphasis on dial point branding.

MBC’s Hot FM Cebu rather emphasizes frequency recall by constantly mentioning 9-1-5 Hot FM in all of their station breaks.

Anyway, here is the jingle for DWKC FM from their 93-9 KC FM Live It Up heyday.

Despite War, Radio Stations Air Christmas Jingles in Mindanao

From a press release from the Philippine Information Agency, here is a repost of an article about the present peace and order situation in the Mindanao, a major island of the country, that is blown by this war between the government and the MILF.

Feature: There will still be Christmas in Mindanao

by Brent M. Bravo

war christmas radio jingles Iligan City (18 September) — Despite the clashes between the military and lawless groups in some parts of Mindanao and despite all the travel advisories against going to this southern part of the country, the people in Mindanao are already feeling the Christmas spirit.

As early as September, the first of the “ber” months, Christmas jingles are being continuously played in the radio and in stores and tiangges or flea markets to mark the start of the season.

Contrary to what others believe, Mindanao remains generally peaceful and people here welcome Christmas just like everyone else – by putting up a Christmas tree in their homes or by decorating their houses with wreaths and multi-colored lights.

The streets still remain safe and stores will soon be filled with Christmas decors and star lanterns or parol, adding color and excitement as people look forward to the month of December.

People in Mindanao will still anticipate their Christmas bonus and still plan to make the occasion special, even in their own little ways.

Children will still go house to house using home-made instruments singing Christmas carols and people from all walks of life will still flock malls to avail of season discounts and look for gifts.

On the midnight of December 24, the family will still gather for the traditional Noche Buena feast and to exchange gifts.

There will still be Christmas in Mindanao. This year’s celebration will still be a peaceful one, even if the whole country, even maybe the world, thinks that turmoil is everywhere here.

There may be conflict in some of its areas but despite of all these, the Christmas spirit is very much alive in Mindanao and people still go out to greet each other “Merry Christmas!” (PIA-10

Why Rolling Stone Magazine Shrinks Size

Zac Efron on Rolling Stone Magazine

According to Rolling Stone:

  • Most newspapers and magazines are shrinking size
  • Magazine stands are getting smaller

The world’s biggest music magazine is shrinking its size. According to a post at NYTimes.com, a new and smaller format of the popular music magazine will start circulating in October of 2008. Jann Wenner, founder, editor and publisher of the 41 year old magazine, says that from 189, 000, the single copy sales of Rolling Stone magazine dropped to 132,000 in 2007.

The drop in sales was less of a readership issue but more of a marketing concern. Most newspapers and magazines have already shrunk its sizes to a new standard, usually at 8 x 11 inches. This signaled bookstores, newspaper and magazine stands to change its racks to smaller sizes. Since the Rolling Stone magazines are relatively larger, they are shelved in higher eye levels, stacked underneath shelves, or folded in between racks, making visibility lesser and lesser.

Despite, the decrease in size, Rolling Stone is improving its magazine binding. The smaller format will be glued and not stapled. There will be glossier, sleeker and heavier pages than ever.

Rolling Stone maybe shrinking its size but it remains to be one of the most widely read and influential music magazines in the world. What is left for those who own the large format Rolling Stone are memories and nostalgia. Rolling Stone will never be the same again.

Wenner compares the old and new formats of Rolling Stone magazine